Música
SimilarAlmost Famous (2000), Ice Age (2002),
As the director, co-writer (alongside American Vandal’s Dan Lagana), executive producer, and composer of Música, Rudy Mancuso’s filmmaking debut suggests he’s carrying a certain “do it all yourself” energy over from his previous career as a prolific YouTuber. Impressively, it does not feel insular or self-involved despite his hands being in nearly all aspects of the process. That isn’t to say, however, that it all works.
Mancuso plays, well, Rudy, a college student barreling towards graduation with little semblance of a plan for what comes next. His dedication to puppetry and music shows great creativity, but it doesn’t seem like a promising moneymaking venture if his occasional busking is any indication. Further complicating matter is his synesthesia, a condition that underlines every aspect of his day with a constant beat. It may be great for his musicality, but it also creates a distance between him and others. Often distracted, sometimes overwhelmed, by the music only he can hear, he frequently misses out on what others are trying to tell him.
Rudy Mancuso explains the "What's up Brother" meme to Camila Mendes. (Prime Video)
His perceived lack of ambition proves too much for his girlfriend Haley (Francesca Reale), leading to a break-up at the film’s start. This clears the decks for Rudy’s mom (Maria Mancuso, the filmmaker’s real-life mom) to start playing matchmaker with every Brazilian-American girl around his age she can find and for Rudy to fall for Isabella (Camila Mendes), an employee at a local seafood counter. When Haley returns, things fall apart quickly, thanks in no small part to advice from Anwar (J.B. Smoove), a food truck entrepreneur and seemingly Rudy’s only friend. Continue Reading →
Songbirds
Similar2001: A Space Odyssey (1968), 2046 (2004),
Blade Runner (1982) Brazil (1985), Desert Hearts (1985), Die Hard (1988), I Am Not a Serial Killer (2016), Mars Attacks! (1996), Metropolis (1927), Once Upon a Time in America (1984), Pirates of the Caribbean: Dead Man's Chest (2006), Random Harvest (1942), Spider-Man 2 (2004), Strange Days (1995), The Art of Racing in the Rain (2019), The Poseidon Adventure (1972), Twelve Monkeys (1995),
Watch afterAquaman and the Lost Kingdom (2023), Killers of the Flower Moon (2023), Napoleon (2023),
Oppenheimer (2023) Rebel Moon - Part One: A Child of Fire (2023), Thanksgiving (2023), The Marvels (2023), The Nun II (2023), Wonka (2023),
StudioLionsgate,
Despite a challenging premise and an overlong runtime, the Hunger Games prequel makes the most of the hand it’s been dealt.
The character of Coriolanus Snow is an odd choice for a Hunger Games hero. In the original books and films, as played by screen giant Donald Sutherland, Snow was a cold-hearted, cruel dictator clearly meant to echo real world fascist leaders. Here, in the prequel story The Ballad of Songbirds and Snakes (say that five times fast), Coriolanus (Tom Blyth) is just a sensitive, emotional teen dreamboat whose main goal is to provide for his family in the wake of the violent revolution that tore apart Panem, the country formerly known as the United States of America.
It’s difficult to understand why author Suzanne Collins, who wrote the novel Songbirds is based on, made the decision to try to humanize a violent authoritarian when a core theme of the original Hunger Games books and movies was lashing back at systemic oppression. Nonetheless, director Francis Lawrence (Catching Fire, I Am Legend) and his enthusiastic cast of talented performers make the best of the rather thematically confused story arc they’ve been given, turning in one of the most exciting, emotionally arresting entries in the franchise. Continue Reading →
Elvis
SimilarBrubaker (1980), Freedom Writers (2007), Mississippi Burning (1988), Raging Bull (1980), The Pursuit of Happyness (2006),
Watch afterThor: Love and Thunder (2022), Top Gun: Maverick (2022),
In the opening seconds of Baz Luhrmann’s Elvis, viewers are blasted with the sight of the Warner Bros. logo – a variant glowing in gold and crimson, practically exploding with flair and moving parts – accompanied on the soundtrack by a remix of “Suspicious Minds.” Within the first few minutes, sweeping shots of Las Vegas clash with Ocean’s 11-style split screens, and the editing juggles between slowmo and cranked-up fast motion, in classic Luhrmann fashion. Continue Reading →
Aline
SimilarAnnie Hall (1977), La Vie en Rose (2007),
A woman wanders a vast and empty house. Her eyes well with confusion as she seems to disappear through walls. She’s a specter in her own home, unfamiliar amongst what should be the most familiar. But she’s not a ghost. She’s just lost. Continue Reading →
A Late Quartet
Before he passed away at the age of 46, Philip Seymour Hoffman starred in 52 feature films. Starring roles, character pieces, chameleon work—he left a legacy nearly unmatched in both quality and quantity. Now, with P.S.H. I Love You, Jonah Koslofsky wafts through the cornucopia of the man’s offerings. Continue Reading →
Tom Petty, Somewhere You Feel Free
Mary Wharton's assemblage of lost footage from the artist's Wildflowers recording sessions celebrates his life and works, but the lack of conflict makes it hard to latch onto.
(This review is part of our coverage of the 2021 SXSW Film Festival.)
Released in 1994, Tom Petty’s Wildflowers, the second solo project that he recorded away from his longtime band The Heartbreakers, has gone on to assume a place of prominence in the discography of the late rocker with many—Petty among them—regarding it as the finest work of his career. And yet, for as laid back and relaxed as the final product sounded, it was recorded during an especially tumultuous period in his personal and professional lives, one that included the dissolution of his first marriage, his parting of the ways with original Heartbreakers drummer Stan Lynch and his departure from longtime label MCA in order to sign with Warner Brothers. Continue Reading →
Music
Watch afterJurassic World Dominion (2022),
Before its release, Sia’s Music has generated controversy regarding the handling of its titular autistic character, including the decision to cast neurotypical actor Maddie Zeigler in the role. Sia’s responses to these critiques have only enflamed the hubbub, but tragically, those concerns are immaterial. Not because Music does a good job of handling the perspective of an autistic person, but rather quite the opposite. Continue Reading →