2 Best Kids Releases on Peacock Premium

Peacock’s claymation sitcom is at its best when it skips the satire for the strange, but “best” is grading on a curve. To its credit, In The Know resists dropping the term “woke” to describe its characters. Unfortunately, in a fairly disastrous opener, that’s the only “those silly sensitive liberals” signifier it lets go past. The premiere’s big joke, one it repeats OFTEN, centers on the proper terminology for someone without a place to live. Because, of course, it's a goofy waste of time to worry about language. Only Zach Woods’ ever-increasing profane frustration at being corrected by Fabian (Caitlin Reilly) saves the bit. His voice performance as “NPR’s third most popular host” Lauren Caspian is just sly enough to make it unclear if his anger comes from his inability to remember the correct term, someone having the nerve to interrupt him, or the thought that someone in the office might be more progressive than him. It isn’t that mocking blowhard radio hosts can’t be a rich comic vein. Just check out the original Frasier series, a show with a strangely intense cross-generational appeal that persists even over 19 years after the final episode aired. It’s centering that mockery on NPR, particularly an NPR that has more in common with a conservative’s fever dream of what the company is like rather than anything resembling reality, feels like a weak tea. Fortunately, things improve for In The Know as it quickly moves beyond what initially seems like an exercise in sticking it to those caricatures of public radio employees. Continue Reading →

Peacock's attempt at reviving the classic 80s sitcom with some vague modern touches is as meaningless as it is harmless. Existing in a cotton candy-tinged alternate 2021 (the year is specifically noted, but there’s nary a mask or online class in sight), Peacock’s new reboot of ‘80s touchstone Punky Brewster exemplifies the question asked of all reboots. Who is this for? The adults who grew up with Punky are likely to ignore this entirely and it’s hard to imagine any child or teenager clamoring to watch it either. It’s a wispy throwback with vague trappings of “the messages of today." And a laugh track. In this economy?  Punky (Soleil Moon Frye), a professional photographer, still lives in the Chicago apartment where she lived with adoptive father Henry, but now with her own three children. Said children are Hannah (Lauren Lindsey Donzis) a teenager’s teenager, who loves TikTok and Timothee Chalamet as the teens do; Diego (Noah Cottrell); and Daniel (Oliver De Los Santos). These three are shortly joined by Izzy (Quinn Copeland) AKA Punky 2.0, a sprightly foster child whom Punky’s lifelong BFF Cherie (Cherie Johnson), now a social worker, encourages her to take in. Izzy appears to have wandered in from a casting call for The Great Gilly Hopkins, all adorable wisecracks and beanies. Also in the mix is Punky’s ex-husband Travis (Freddie Prinze, Jr), from whom she is recently divorced, although neither of them seems to remember that regularly.  Continue Reading →