Fantasia
SimilarWilly Wonka & the Chocolate Factory (1971),
MPAA RatingG,
StudioWalt Disney Productions,
This year's Fantasia Festival offered a solid selection of horror, low-fi science fiction, and quietly paced drama.
It remains unclear if movies really are back, baby, but the festival circuit continues undaunted. Montreal’s Fantasia Festival leans towards the esoteric and the out there, and this year’s selection in particular offered a strong lineup of quirky comedies, artsy horror and low-key drama. Here’s but a small sampling of some of the more notable features:
Perhaps the most promising feature is Hellbender, a genuine group effort by the Adams Family, directed by dad John Adams, co-written by mom Toby Poser and daughter Zelda Adams, and starring Toby, Zelda, and other daughter Lulu Adams. Zelda plays Izzy, a lonely teenager raised in isolation by her mother, who’s convinced her that she is gravely ill with a disorder that prevents her from getting too close to other people. They spend their days alone together, either exploring the woods around their house, or playing catchy grunge rock tunes in a two person band, even wearing costumes despite not having an audience. It’s an idyllic existence, until Izzy starts asking too many questions and pushing too many boundaries, and must learn the truth about her existence. Continue Reading →
Monsters at Work
SimilarHina Logic: From Luck & Logic, Raven's Home, Tabitha,
TV shows based on hit movies are nothing new. However, programs like The Real Ghostbusters and Buzz Lightyear of Star Command had only the barest connection to their source material and had no chance of scoring any of the performers from the original features. In the age of interconnected cinematic narratives, though, the new Disney+ cartoon Monsters at Work, a sequel to Monsters Inc., goes in the opposite direction. Continue Reading →
Jack
There was a trend when YouTube first launched, one that still pops up from time to time, where a skilled editor will take a film such as Dumb and Dumber or Elf and recut the trailer as a horror film. These pet projects are amusing at first glance, and serve to highlight deeply disturbing elements of classic comedies generally played for laughs. They demonstrate the power certain filmmakers have to elicit a specific audience response often diametrically opposed to the given circumstances on screen. Continue Reading →
Cinderella II: Dreams Come True
SimilarHarry Potter and the Chamber of Secrets (2002), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Philosopher's Stone (2001), Harry Potter and the Prisoner of Azkaban (2004), West Side Story (2021), Willy Wonka & the Chocolate Factory (1971),
MPAA RatingG,
What if during one of your worst nightmares, you couldn't wake up, no matter how hard you tried? This the brooding question hanging throughout Come True, Anthony Scott Burns' sophomore horror thriller, coming off of Our House in 2018. The director (and now screenwriter) brings his visual effects background to develop an atmospheric wasteland of pure, spine-chilling dread with just a touch of analog sci-fi. The result is an ironically snoozy slog about the horrors of sleep paralysis that gets by more on vivid aesthetic than the sheer terror of what keeps us up at night. Continue Reading →
Raya and the Last Dragon
SimilarAliens (1986), Fantasia (1940), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Goblet of Fire (2005), Shrek (2001), Shrek 2 (2004), Shrek the Third (2007), Zatoichi (2003),
Watch afterBlack Widow (2021),
StudioWalt Disney Pictures,
(Note: We heavily encourage you to read reviews and criticism from Southeast Asian critics, who have a much more intimate and detailed understanding of the cultures from which Raya and the Last Dragon draws inspiration. This thread is a helpful primer.) Continue Reading →
Night at the Museum
SimilarBorat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), King Kong (1933), King Kong (2005), Ocean's Eleven (1960), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), Willy Wonka & the Chocolate Factory (1971),
StarringOwen Wilson,
Studio20th Century Fox, Ingenious Media,
The thing about guilt is that it can wear you down until you’re more a cluster of exposed nerve endings than a human being. That, at least, is the premise behind The Night, a new psychological horror and debut film from director Kourosh Ahari. Set in Los Angeles and spoken almost entirely in Farsi, The Night is a wonderfully odd mix of being spare and a bit too much all at once. Continue Reading →
Safety
Watch afterThe Flash (2023),
StudioWalt Disney Pictures,
At first glance, Disney+’s latest sports biopic Safety is a film about a particularly extraordinary individual. It is, after all, about a young man who faces insurmountable odds and comes out on top. But while its subject is a compelling protagonist, the real focus of the movie is an extraordinary community. Continue Reading →