821 Best Releases From the Genre Drama (Page 12)

It takes a little while to find Beef’s groove. This critic assures you that this is not the classic of the streaming age, “give it a few episodes” warning. By the end of the first episode, you will know if the series is for you. However, everything about the show feels overwhelming in the first eight to ten minutes. Continue Reading →

What makes an object meaningful? The plans its creators had for it? The image that its consumers build into it? The purpose it serves? The one who wields it? Continue Reading →

If you belonged to a certain group of very online Millennials around 2011, then the chances that a Dear Sugar letter changed your life or permanently lodged itself in your brain are high. I know it’s certainly true for me. That means I’m carrying a certain degree of baggage to Hulu’s newest series, Tiny Beautiful Things, based on the book of the same name--a collection of Dear Sugar’s best advice columns)--and Sugar herself, Cheryl Strayed, who stepped forward as the columnist in 2012.  Continue Reading →

While Anna Winger’s new series Transatlantic is visually and textually lush, it opens a stark portrayal of the refugee experience. It’s painful, watching as they struggle with the terrain, carrying everything they have in their arms. You hear every labored breath, see every sweat stain. This long opening sequence sets the tone for the rest of the seven-part series–it isn’t glamorous or glossy, just beautifully filtered misery, fear, and hope. Continue Reading →

Unstable appears to be a deeply personal show for lead actor and co-creator Rob Lowe. After all, it revolves around a father/son duo played by Lowe and his real-life son, John Owen Lowe. Rob Lowe’s headlined worse stuff than this, for sure. Nonetheless, you’d think a series that seems rooted in something this personal would be more engaging to watch. At least, it might take some bold swings. Tragically, Unstable is a mostly just average comedy that leaves little in the way of an impression for good or ill.  Continue Reading →

Rachel Sennott excels in a film that never rises to the level of her performance. Having already more than proven her comedic chops in the great Shiva Baby and the not-so-great Bodies Bodies Bodies, I Used to Be Funny finds rising star Rachel Sennott showing off her dramatic chops for a change. In this task, she succeeds. Alas, that’s more than can be said about the film as a whole. It proves to be little more than an angsty muddle that never quite seems to know what it is trying to accomplish.  She plays Sam, a stand-up comedian whose rising career stalled due to a recent traumatic incident. She’s been unable to return to the stage or do much of anything ever since. Instead, she just holes up in a house she shares with two loving but worried roommates. Then, one day, she hears a news report about a missing 14-year-old girl named Brooke (Olga Petsa). Realizing she may have been the last person to see Brooke alive jolts her from her malaise. Continue Reading →

Season one of Showtime's surprise hit Yellowjackets left us with as many questions as it answered. With the show's sophomore season—launching this week—creators Ashley Lyle and Bart Nickerson take us deeper into their strange, terrifying wonderland, doling out mystery, horror, humor, and some exquisite needle drops. Prepare for a Tori Amos renaissance in the vein of Kate Bush's success on Stranger Things 4.  Continue Reading →

The Grand Jury Prize winner gives audiences two different flavors of terror. Raging Grace, the feature debut from writer-director Paris Zarcilla just won the Grand Jury Prize at this year’s SXSW. It’s a film that offers viewers two horror narratives for the price of one. The first is a standard sort involving a creepy mansion, shocking family secrets, and other traditional genre tropes. The second, on the other hand, replaces the overtly spooky elements with more realistic, if no less tense and disturbing, story points.  In that narrative, the audience follows an undocumented worker as she seeks a better life for herself and her child. Instead, she lands in the clutches of real-life monsters determined to exploit others’ desperation for their own twisted gains. Raging Grace handles both approaches effectively. Ultimately, the latter track stings the hardest and will linger longest in the minds of viewers.  Continue Reading →

Every episode of Amazon’s Swarm begins with a title card that reads, “This is not a work of fiction. Any similarity to actual persons, living or dead, or actual events, is intentional.”   Continue Reading →

It’s a year ending with a number, so, once again, someone’s launching a live-action TV show rooted in Batman’s mythology but doesn’t star Batman. That show, following in the footsteps of Gotham and Pennyworth: The Origins of Batman’s Butler, is none other than Gotham Knights. A brand-new CW production, it aims to be a “next generation” tale of sorts. The audience follows a motley group of teens possessed of assorted connections to Batman characters, old and new. By the time the first episodes wrap, viewers will undoubtedly want to shine a signal into the sky to summon a better TV show.  Continue Reading →

Considering the lurid details of it (let alone that it was never solved), it’s curious that Netflix, America’s number one source for grisly true crime documentaries, has yet to cover the Boston Strangler. It’s a fascinating story largely because the man who was long believed to be the Strangler, Albert DeSalvo, almost certainly didn’t act alone, and may not have even killed all of the thirteen women whose deaths were originally attributed to him. DNA evidence years after the fact conclusively linked DeSalvo, convicted of rape and later murdered in prison, to just one victim. At the time of his arrest, both police and the media were so eager to bring the city-wide hysteria to an end that they pointed at him for all the murders, only quietly conceding after DeSalvo was in jail that there was likely more than one strangler, and that the case was still open. Nearly sixty years later, the other twelve murders remain unsolved. Continue Reading →

Much of the pre-release buzz about AppleTV+’s new original series Extrapolations was concerned with its potential to be preachy. In much the same way this writer doesn’t mind a bit of emotional manipulation in entertainment, I can be fine with preachiness. Some things are worth preaching about. Extrapolations’ flaw isn’t that it has a soapbox and is using it. It’s that it’s such a mess. Continue Reading →

Considering the number of statues, attention, and fans the series has collected over two seasons, it may feel odd to call Ted Lasso Season 3 a chance at a comeback. However, given the backlash that seemed to accumulate during the back half of the second season, it isn’t entirely off the mark. Viewers and critics (not this one, make of that what you will) expressed frustration with the show’s messier tone and longer episodes. Additionally, even as the show pierced it, people’s appetite for Ted’s (Jason Sudeikis) positivity had rapidly grown thin in some quarters. Continue Reading →

You Season 4 Part 1 depicted its antihero protagonist, Joe Goldberg (Penn Badgley), at his most straightforwardly heroic. He was teaching classes, avoiding romance, and trying not to commit any more murders. At least, that’s what Joe told himself and the audience in his omnipresent narration. It was a notable and perplexing turn for a character who viewers first met stalking, kidnapping, and murdering the object of his demented affections.  Continue Reading →

Round three of twelve. Adonis Creed (Michael B. Jordan)—the fresh-out-of-retirement undisputed heavyweight champion of the world—faces Damian "Diamond Dame" Anderson (Jonathan Majors)—the ruthless-came-from-eighteen-years-in-prison reigning champ. Growing up in a group home, Adonis and Damian were brothers—united by care for one another in a callous system and a shared love of the sweet science. Continue Reading →

The story of Daisy Jones & The Six begins, fittingly, at its dramatic end. The show opens with the members of the titular band taking their seats for a series of talking-head interviews before a title card that reads, “On October 4, 1977, Daisy Jones and the Six performed to a sold-out crowd at Soldier Field in Chicago, Illinois.” Despite being one of the biggest bands in the world at that time, “It would be their final performance.” From there, we jump back in time to learn exactly how Daisy and the five members of the Six (yes, five) became a band.   Continue Reading →

Some pray high school will never end. Some feel like it goes on for a painful forever. For Maddie Nears (Peyton List), those desires and hyperbolic thoughts may have become quite literal. If you die on her high school’s campus of unnatural causes, you apparently hang around with the other ghosts until you figure out how to move on. Imagine finding out the afterlife is real and you’ll never leave your high school again in the same moment. Continue Reading →

Among the increasingly insane and dangerous culture wars we’ve found ourselves thrust into in recent years is whether or not merely explaining to a child what it means to be queer or transgender is inappropriate. For the rational-minded, it teaches children empathy and acceptance. For those less so, it’s akin to showing them pornography, and corrupting their innocence. The word “grooming” is used, although no one seems to know exactly what that means, except that it’s inflammatory and effectively shuts down any hope of a productive conversation. Continue Reading →

Haunted house stories have always been my favorite. There's something so thrilling and unsettling about a place that feels and reacts to the people that occupy it. As I got older, I learned that haunting could mean many things. It could mean memory. It could mean joy, despair, humor, or fear soaking into the brick and mortar or reflecting our experiences back at us. If you look at it that way, isn't every house haunted? Continue Reading →

In 2019, the Walt Disney Company released Avengers: Endgame, the culmination of an 11-year-long project of crossovers, callbacks, foreshadowing, and franchising. The result was, for a time, the single highest-grossing film in cinematic history. This success seemed to mark the undisputed coronation of the superhero movie as the defining film genre of the modern era. But just a few months earlier, to quieter but not unsuccessful fanfare, another superhero film was released, one whose foundations were laid long before the Marvel Cinematic Universe's were, a film that was, in its way, an epic farewell to a cinematic universe. M. Night Shyamalan's Glass is the third and final film of his "Eastrail 177 Trilogy," a trilogy of supernatural thrillers that rely not on pyrotechnics and action but on sincere, intimate moments of character.  Continue Reading →