The Out-Laws
Similar50 First Dates (2004), Blown Away (1994), Good Luck Chuck (2007), Kill Bill: Vol. 1 (2003), Monsoon Wedding (2001), Sissi (1955),
The Party 2 (1982) Wild at Heart (1990),
Watch afterGuardians of the Galaxy Vol. 3 (2023), The Flash (2023),
Director Tyler Spindel's track record is scattered, composed of primarily-for-streaming movies including The Wrong Missy and Father of the Year. He has an affinity for the David Spade experience, in other words. His latest, The Out-Laws, doesn't feature Spade and doesn't do much to suggest that Spindel's body of work will ever grow more than scattered. Continue Reading →
Beau Is Afraid
SimilarBrazil (1985), M*A*S*H (1970), Mars Attacks! (1996), On Her Majesty's Secret Service (1969), Shaun of the Dead (2004), The Big Blue (1988),
Watch afterKillers of the Flower Moon (2023),
If there’s anything Ari Aster wants you to understand after watching his newest film, it’s that he’s funny. With just three feature films under his belt, Beau Is Afraid marks both a massive departure from his previous films and a solidifying of his style. It’s a movie about terror, without a ton of interest in being terrifying. More specifically, it’s a movie about the absurdity of fear and the ridiculousness of human nature. And yeah, it’s definitely about moms, too. Continue Reading →
Mr. Saturday Night
StudioColumbia Pictures, New Line Cinema,
On December 14th, 1977, Paramount released Saturday Night Fever. Bolstered by critical acclaim and a bestselling soundtrack, the story of a working-class Brooklynite blazing through discotheques eventually grossed over $94,000,000 worldwide and brought disco to Middle America. Continue Reading →
tick, tick... BOOM!
SimilarDriving Miss Daisy (1989), Erin Brockovich (2000), Maria Full of Grace (2004), Pi (1998), Romeo + Juliet (1996), Stranger Than Paradise (1984), The Straight Story (1999),
Watch afterDon't Look Up (2021), The Power of the Dog (2021), West Side Story (2021),
StarringRenée Elise Goldsberry,
New York City. January 29th, 1990. Composer and playwright Jonathan Larson (Andrew Garfield) turns 30 at the end of the week. SUPERBIA, the dystopian science fiction musical he's spent most of a decade writing, is about to have its first-ever full workshop. It's a critical moment for Jon, one that could well make his career (or break it irreparably). If SUPERBIA bombs, Jon will be washed up before he ever set out to sea. To crank up the pressure, the show is missing a critical song, a tune that the whole affair will turn on. Continue Reading →