Moulin Rouge!
Moulin Rouge! may be one of the most artificial films committed to celluloid. At every turn, it uses sound, color, setting, camera tricks, and good old-fashioned deception to create space between the audience and the material. And yet it ends up being as naked and guileless an ode to love as any movie of its era. Continue Reading →
The Happening
The say goes: fool me once, shame on you. Fool me twice, shame on me. But they forgot a couplet: fool me three times, I’ve just watched The Happening. Continue Reading →
Violent Night
SimilarBring It On (2000), Die Hard 2 (1990), Hellboy (2004), Live Free or Die Hard (2007), Night at the Museum (2006), The Holiday (2006),
Watch afterBlack Panther: Wakanda Forever (2022),
It’s Christmas time, and a man at the breaking point finds himself at the wrong place at the wrong time. But he isn’t retired cop John McClane this time. Instead, it’s Saint Nick with a sledgehammer he’d like to swing into your bowl full of jelly. The premise of Violent Night is simple (Die Hard but with Santa), and the filmmakers mostly pull off the kill-fest thanks to some game performers and one inspired sequence. Continue Reading →
De Superman à Spider-Man: L'aventure des super-héros
StarringPatrick Stewart, Rebecca Romijn,
StudioToei Animation,
In Asghar Farhadi’s A Hero, moral ambiguity runs rampant through the life of imprisoned Rahim Soltani (Amir Jadidi). Locked away for a debt he could not repay, Soltani has two days of leave to get his creditor, a family friend, to drop the charges. He owes the man a large sum, given as a pseudo-loan for a failing small business. A father to a young boy with a speech impediment, Rahim is understandably anxious to negotiate his freedom. When his girlfriend finds a lost bag filled with 17 gold coins, the moral conundrums begin, multiplying throughout the film with “nice” deeds and public interference. Continue Reading →
Encanto
Watch afterDoctor Strange in the Multiverse of Madness (2022), Don't Look Up (2021), Eternals (2021), Shang-Chi and the Legend of the Ten Rings (2021), Spider-Man: No Way Home (2021),
StudioWalt Disney Pictures,
What if you were the only one in your entire family without magic? Disney's Encanto sets out to answer that question with music and charm as its fanciful powers. Continue Reading →
The Survivor
StudioBron Studios, Endeavor Content,
The post-WWII boxing drama wastes Ben Foster and Vicky Krieps in an overfamiliar prestige drama that botches its handling of the Holocaust.
For a one-time perennial Oscar-contending director, Barry Levinson has had one of the most curious careers of the 21st century. His recent work includes thrillers and comedies like Envy, The Bay, and Man of the Year. With Bill Murray vehicle Rock the Kasbah, Levinson seemed to have mildly scraped the zeitgeist once again. Now, with The Survivor he’s plunging back into the Oscar/prestige realm with The Survivor, a black-and-white Holocaust/ boxing drama.
The Survivor is based on the life of Harry (original name Hertzko) Haft, a Jewish man who survived Auschwitz by boxing as a ringer for a Nazi commander. When this becomes public knowledge, Haft is derided as a traitor by New York’s Jewish community. In execution, The Survivor hews closely to the standard patterns of prestige drama, to the point that there is very little distinct or interesting about its craft. Continue Reading →
The Night Clerk
Michael Cristofer's first movie since 2001 is a low-key thriller that respects its characters, even if its setup isn't too original.
As a general rule, people love to watch what other people do, especially if the person they’re watching isn’t aware of it. It gives us endless fascination to see how someone else acts when they think that they’re alone. But while knowing someone’s secrets can be fun, knowledge can also be a burden. Michael Cristofer returns to the director’s chair after an almost 20-year absence to explore what happens when you see something you shouldn’t in his drama, The Night Clerk.
Bart Bromley (Tye Sheridan) likes to watch people not for unsavory reasons, but instead to learn from them. He has Asperger’s Syndrome and, to better understand human interactions, watches the guests of the hotel where he works via hidden cameras that he’s set up in the guestrooms. One night, Bart’s cameras record a woman getting murdered, causing Bart to rush to the hotel to save her. Since Bart was off at the time his appearance at his workplace rouses the suspicion of Detective Johnny Espada (John Leguizamo). While the case is being investigated, Bart is transferred to another location. There he meets and quickly becomes infatuated with guest Andrea (Ana de Armas) and as the duo bond, Bart starts to feel a little less lonely, but Andrea has secrets of her own.
Despite featuring a murder and a protagonist who records people without their consent, this is a story about loneliness and connection. Most of the plot centers on the relationship between Bart and Andrea with the crime elements being relegated to Johnny’s subplot until the climax. This isn’t a bad angle to take, but it may be a turn off for audiences who are expecting a taut thriller. Continue Reading →