The Batman
Watch afterDoctor Strange in the Multiverse of Madness (2022), Morbius (2022), Spider-Man: No Way Home (2021),
The opening shot of Matt Reeves' The Batman evokes, if nothing else, the opening shot of Francis Ford Coppola's The Conversation: we peer, ominously, through the binoculars of an unseen voyeur, looking at a young boy in a red ninja outfit playing with his father in a Gotham penthouse. While this isn't a flashback to young Bruce Wayne -- rather, we see Gotham's tough-on-crime Mayor Mitchell and his soon-to-be-orphaned boy -- the evocation is undeniable. By the time The Batman's three hours whiz past you, we'll have a similarly probing look into Bruce Wayne himself: what he prioritizes, what drives him, what he thinks he's doing for the city as Batman and what he realizes he should be doing. And it's that texture, that sense of interiority, that makes The Batman one of the best films of the year thus far, and one of the most fascinating cinematic adventures the character has to offer. Continue Reading →
The Electrical Life of Louis Wain
StarringSophia Di Martino,
StudioFilm4 Productions,
The Electrical Life of Louis Wain is an alternatively madcap and melancholic retelling of the artistic and personal life of the peculiar Louis Wain by making a lot of noise but not saying much. Biographical films have to tread a very difficult line. They must tell their central characters’ life and accomplishments while humanizing them through their rituals and quirks. And they must do this all without turning the movie idealization or fetishization of such things. Narratively, what Louis Wain gets right is that focusing on the man as a deeply troubled individual and melds his artistic work along with the afflictions that he suffered. What it gets wrong is its inability to dig deeper into Louis Wain beyond his whimsies and mannerisms and the surrounding greater Victorian English culture. Continue Reading →