Dream Scenario
Similar3000 Miles to Graceland (2001), A Clockwork Orange (1971), A Nightmare on Elm Street 3: Dream Warriors (1987), Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Brazil (1985), Bride of Re-Animator (1990), Buffalo Soldiers (2002), Dawn of the Dead (2004), Dogma (1999), Election (1999), Forrest Gump (1994), Help! (1965), Home Alone 2: Lost in New York (1992), Human Nature (2001), In China They Eat Dogs (1999), Life Is Beautiful (1997), Little Miss Sunshine (2006), M*A*S*H (1970), Mars Attacks! (1996), Mary Poppins Returns (2018), Monsoon Wedding (2001), mother! (2017), Serial Mom (1994), Shaun of the Dead (2004), The Butcher Boy (1998),
The Party (1980) The Party 2 (1982) The Science of Sleep (2006), Wonder Boys (2000),
Watch afterAmerican Fiction (2023), Anatomy of a Fall (2023), Aquaman and the Lost Kingdom (2023), Killers of the Flower Moon (2023), Leave the World Behind (2023), Napoleon (2023), Rebel Moon - Part One: A Child of Fire (2023), Saltburn (2023), The Killer (2023),
StarringNicholas Braun,
At this point, you can roughly divide the output of Nicolas Cage into one of two categories. First, there are films so tailored to his reigning wild man of cinema persona that it seems unimaginable they could exist if he passed. In the other camp are the quieter efforts like The Weather Man, Joe, and Pig that remind of what a powerful actor he still can be. His latest project, writer-director Kristoffer Borgli’s Dream Scenario, combines both approaches into a single offering. The result is a strange and wildly audacious work anchored by a surprisingly deft and low-key turn from Cage that stands in marked contrast to the weirdness surrounding him. Continue Reading →
Nightmare Alley
SimilarBasic Instinct (1992), Cube (1997), Cube Zero (2004), Driving Miss Daisy (1989), The Silent Partner (1978), Things to Do in Denver When You're Dead (1995), Vertigo (1958),
Watch afterLicorice Pizza (2021), West Side Story (2021),
StarringWillem Dafoe,
StudioSearchlight Pictures,
Back in 1998, Gus Van Sant released his remake of Alfred Hitchcock’s Psycho. It wasn’t a good movie, but it provided two decent critical talking points. Firstly, was it actually a remake, or was it another adaptation of Robert Bloch’s novel? Given that Van Sant’s film was a shot-for-shot recreation of its 1960 predecessor save for two or three differences, it was a rarity in that, given its context, it ended up being the former. It, for all its failures in execution, used semiotics to circumvent the aforementioned semantics of its identity. Continue Reading →