6 Best Releases Starring Giancarlo Esposito

Theoretically, Parish is an adaptation of the three-episode British series The Driver. In practice, the similarities boil down to “What if there was a driver who used to do crime and might start again?” Considering how standard the plot is—a reformed criminal pushed back into a life of crime—it seems strange to call it an adaptation. To get specific, Gray Parish (Giancarlo Esposito) is a former wheelman who left crime a long time ago. In the time since, he met and married Ros (Paula Malcomson) and started a livery service. He and Ros had two children together as well, Maddox (Caleb Baumann) and Makayla (Arica Himmel). A year before the show’s story begins, Maddox was shot to death, and the killer remains at large. Gray has particularly struggled with the fallout. Additionally, his business is falling apart, seemingly from a combination of his grief and the economy. Into this precarious situation arrives Colin (Skeet Ulrich), a friend of Parish’s from the old days. Colin, barely out of prison, has already gotten in trouble with The Horse (Zackary Momoh), leader of an increasingly powerful New Orleans gang, The Tongais. To keep himself alive, he needs Parish’s help in cleaning out a safe. Out of a mix of loyalty and his own financial desperation, Parish agrees. Unfortunately, one job is never just one job. Continue Reading →

Despite their hue, not all TMNT films deserved to be greenlit. Kevin Eastman and Peter Laird created The Teenage Mutant Ninja Turtles back in 1984. Now almost 40 years later, what started as a comic book has inspired seven movies, five television series, and countless amounts of merchandise. This week the four ninja tortoises return in a new animated incarnation, Teenage Mutant Ninja Turtles: Mutant Mayhem. Considering I’ve been a fan of the Turtles since six years old, this seems like the perfect time to put an official rating on four decades of movies. Some are gnarly, some tubular, and there’s always a whole lot of cowabunga.   Writers Note: This list doesn’t include the recent Netflix installment Rise of the Teenage Mutant Ninja Turtles: The Movie, a TV-movie crossover Batman vs. Teenage Mutant Ninja Turtles, or the live recording of the 1990 Coming Out of Their Shells stage show. That one you can catch on YouTube, although I don’t know why you would.  Continue Reading →

Better Call Saul is a tragedy. From the beginning, it focused on a rough-edged, yet decent man whom the audience knows will one day become an unrepentant merchant of death and destruction. What makes it so tragic, beyond the known destination, is that the series is riddled with missed exits. Time and again, Jimmy McGill (Bob Odenkirk) faced situations where -- if he’d just pulled back from the brink, if he’d only taken his lumps instead of wriggling out of them, if he’d simply chosen not to push things too far -- all of this could have been avoided. Continue Reading →

Every month, we at The Spool select a filmmaker to explore in greater depth — their themes, their deeper concerns, how their works chart the history of cinema and the filmmaker’s own biography. For March, we celebrate the birthday (and the decades-long filmography) of one of America’s most pioneering Black filmmakers, Spike Lee. Read the rest of our coverage here. It’s been 32 years since the release of Spike Lee’s 1988 hit School Daze, a film that tackles the tough conversations and experiences of young educated black people through music, dance, and situational confrontation. It’s Lee’s third film, one where he’s still finding his footing, and yet he already has his finger on many of the issues that affected young black audiences at the time, and still do today.  Set in the fictional historically-black Mission College, viewers are first introduced to young black activist Dap (Larry Fishburne) when his boycott of apartheid in South Africa is interrupted by Greek life (and social order) leader Julian (Giancarlo Esposito) and his pledges. Throughout the film, the pair butt heads in more ways than one, but the confrontation at its core is who really brings power to black people.  Continue Reading →