Mission: Impossible - Dead Reckoning Part One
SimilarArmageddon (1998), Beverly Hills Cop (1984), Beverly Hills Cop II (1987), Beverly Hills Cop III (1994), Die Hard 2 (1990),
Die Hard: With a Vengeance (1995) Gladiator (2000), Godzilla Raids Again (1955),
Jackie Brown (1997) Jaws: The Revenge (1987),
Live and Let Die (1973) Live Free or Die Hard (2007) Ocean's Twelve (2004), Spider-Man 2 (2004), Spider-Man 3 (2007), Superman Returns (2006), The Lord of the Rings: The Two Towers (2002), The Matrix Reloaded (2003), The Matrix Revolutions (2003),
Watch afterBarbie (2023) Five Nights at Freddy's (2023), Indiana Jones and the Dial of Destiny (2023),
Oppenheimer (2023) The Equalizer 3 (2023), The Flash (2023), The Nun II (2023),
One of Mission: Impossible - Dead Reckoning Part One's earliest pieces of marketing was a trailer-by-way-of-behind-the-scenes featurette. In that clip, Tom Cruise, strapped to a motorcycle, rockets off the edge of a cliff in the Swiss Alps. He lets the bike drop away before popping his parachute and sailing into the horizon. It's one of the most death-defying sequences ever captured on film and, as we now know, it's one Cruise himself did again and again and again. The sequence, even devoid of context, sums up exactly what director Chris McQuarrie and Cruise (the two are also co-producers) hoped to achieve in Dead Reckoning: grade A movie spectacle. Continue Reading →
House of Gucci
SimilarApt Pupil (1998), Fallen (1998),
Watch afterDon't Look Up (2021), Nightmare Alley (2021), The Power of the Dog (2021), West Side Story (2021),
StudioBron Studios, Metro-Goldwyn-Mayer,
There’s a word that exists in the Italian language that doesn’t quite have a counterpart in any other language: sprezzatura. What it essentially boils down to is the art of looking like you don’t care – a style of perfectly-studied imperfection. This idea goes back at least to the Renaissance, a time when the Gucci family earned its reputation as skilled saddlemakers to the rich and aristocratic. Or at least that’s how Aldo Gucci, the powerful and powerfully at-ease paterfamilias played by Al Pacino, relates the family history in Ridley Scott’s House of Gucci. It is against this backdrop – of wealth, power, history, and above all, style – that Scott and screenwriters Roberto Bentivegna and Becky Johnston weave their story, an uneven yet compelling story about the only person who became a Gucci through their own making rather than by an accident of birth, and yet was forever an outsider. Continue Reading →