So I Married an Axe Murderer
If anyone should be ripe for a huge comeback any minute now, it’s Mike Myers. Myers is largely responsible for two of the most iconic comedies of the 90s, Wayne’s World and Austin Powers: International Man of Mystery. If you weren’t there and cognizant of it then, it’s impossible to explain the grip both movies had on 90s pop culture, particularly Austin Powers. Even now, 25 years later, it’s very likely that you’ll occasionally hear someone say “One hundred…billion…DOLLARS” in the voice of Dr. Evil, or refer to a person’s lookalike child as their “Mini-Me.” Its closest competitor in the zeitgeist is probably Clueless, and Clueless didn’t get two sequels. Continue Reading →
The League of Extraordinary Gentlemen
SimilarBatman (1989), Batman & Robin (1997), Batman Forever (1995), Constantine (2005), Ghost Rider (2007), Sin City (2005), Spider-Man 2 (2004), Spider-Man 3 (2007), Star Trek IV: The Voyage Home (1986), Terminator Salvation (2009), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), The Dark Knight (2008), The Matrix (1999), The Talented Mr. Ripley (1999),
Studio20th Century Fox, Walt Disney Productions,
One of the things I enjoy most about the moviegoing experience is coming out of a film feeling as if I've actually learned something that I didn't know before, or had not even occurred to me in the first place. That's exactly the feeling that I got while watching Sam Pollard’s The League, a documentary about the history of Negro baseball leagues in America. Going in, I suppose I knew the basics about the subject and could name such key figures as Josh Gibson and Satchel Paige, but Pollard, who previously directed MLK/FBI, and executive producer Questlove delve much deeper, and the results are indeed fascinating. Continue Reading →
Ishtar
With perhaps the single exception of Heaven’s Gate, perhaps no American film produced in the 1980s received more bad press, critical hostility and commercial indifference than Elaine May’s Ishtar. Scathing press coverage revolved around its enormous budget—which extended to the reviews, many of which felt as if they were written by investors rather than critics—and studio machinations pretty much ensured that it would fail. Audiences stayed away in droves; as May herself once quipped, “If all the people who hate Ishtar had seen it, I would be a rich woman today.” Continue Reading →