A Murder at the End of the World
Hulu’s crime thriller/environmentalist warning is less than the sum of its references, but star Emma Corrin earns viewers’ attention.
The plot for A Murder at the End of the World goes a little something like this. A wealthy tech genius invites a group of similarly impressive individuals—including a detective who seems not to belong—to an isolated location for not entirely clear reasons. A murder sets everyone on edge as competing interests suggest several suspects and impede a proper investigation. Things only get worse as more die, and a storm ensures the group has no means of immediate escape. Continue Reading →
There's at once too much, and somehow not enough, of the whimsical DIY spirit of writer-director Robert Rodriguez in his latest film, the shaky B-thriller Hypnotic. The Austin native made his name in the halcyon days of '90s indie filmmaking, shooting his first feature (El Mariachi) for a mere $7,000 at the tender age of 23. Since then, he's leveraged that inventiveness into a cottage industry of his own based out of his hometown of Austin, Texas, whether it's kid-friendly fare (Spy Kids), big-budget CGI blockbusters (Alita: Battle Angel), moody noirs (Sin City) or grindhouse splatterfests (Planet Terror, From Dusk Till Dawn). Hypnotic is all and none of those things, a chintzy lo-fi Christopher Nolan riff that doesn't have nearly enough life to work. And yet, there are just enough charming elements to save it from outright dismissal. Continue Reading →