KNOX
SimilarAt Close Range (1986), Beverly Hills Cop II (1987), Beverly Hills Cop III (1994), Buffalo Soldiers (2002), Candyman (1992), Code of Silence (1985), Crank (2006), Hitman (2007), In Bruges (2008), Insomnia (2002), JFK (1991), Léon: The Professional (1994), Miami Vice (2006), Mr. & Mrs. Smith (2005), Mulholland Drive (2001), Se7en (1995), Star Trek III: The Search for Spock (1984), Stolen (2024), The Avengers (1998), The Dead Pool (1988), The Man with the Golden Gun (1974), The Prince of Egypt (1998), Things to Do in Denver When You're Dead (1995), Wild at Heart (1990),
StudioFilmNation Entertainment,
Michael Keaton gives a subtle & empathetic performance as a hitman in his waning days.
The minute the mournful saxophone music swells in Knox Goes Away (which is minute one), you think to yourself oh boy, here we go. A car driving in the Los Angeles night, two hitmen, one cool, cultured, and precise, the other seemingly more casual and good-humored about the whole thing, meet in a diner to banter and discuss their next job; none of this fills the viewer with confidence that they’re about to see something they haven’t seen a million times before.
And then the first hitman asks the diner waitress for a cup of coffee, seemingly having forgotten he already has one in front of him, and maybe something different is happening here. Continue Reading →
House of Gucci
SimilarApt Pupil (1998), Fallen (1998), Milk (2008),
Watch afterDon't Look Up (2021), Nightmare Alley (2021), The Power of the Dog (2021), West Side Story (2021),
StudioBron Studios, Metro-Goldwyn-Mayer,
There’s a word that exists in the Italian language that doesn’t quite have a counterpart in any other language: sprezzatura. What it essentially boils down to is the art of looking like you don’t care – a style of perfectly-studied imperfection. This idea goes back at least to the Renaissance, a time when the Gucci family earned its reputation as skilled saddlemakers to the rich and aristocratic. Or at least that’s how Aldo Gucci, the powerful and powerfully at-ease paterfamilias played by Al Pacino, relates the family history in Ridley Scott’s House of Gucci. It is against this backdrop – of wealth, power, history, and above all, style – that Scott and screenwriters Roberto Bentivegna and Becky Johnston weave their story, an uneven yet compelling story about the only person who became a Gucci through their own making rather than by an accident of birth, and yet was forever an outsider. Continue Reading →
Val
When we think back to actors of the 80s, we often think of the Brat Pack, that group of young charismatic stars whose impossible good looks occasionally compensated for middling acting ability. They were cute, and likable, but often lacked that element that makes certain actors more interesting, that sense of danger and mystery. Those actors, like Mickey Rourke, Sean Penn, and Nicolas Cage, didn’t get “Dream Date of the Month” write-ups in Teen Beat, but were more talented, more versatile, and more compelling to watch. Continue Reading →
The Godfather Part II
What Francis Ford Coppola’s Godfather films portray is a perfect amalgamation of the magical and limiting aspects of Hollywood cinema in a perfectly composed, morally ambiguous fantasy. I’m only discussing the first two here because of their proximity to one another and them embodying a 70’s theme and aesthetic that prided on American stories – Five Easy Pieces, Nashville, Patton, Breaking Away, Dog Day Afternoon, and Rocky to name a few – make them distinctly different for what I want to say than the third movie, which seems like a forgotten stepchild of the 90’s. Continue Reading →
The Godfather Part III
SimilarEternal Sunshine of the Spotless Mind (2004), Kill Bill: Vol. 1 (2003), My Life Without Me (2003), West Side Story (2021),
Directed byFrancis Ford Coppola,
Although it’s since been cemented as a derided flop upon its release 30 years ago this month, The Godfather: Part III (1990) was neither the critical nor critical disaster people remember it to be. It was a decent financial success and would go on to be nominated for seven Oscars, including Best Picture. However, a number of factors cropped up to help trash its reputation. It had a chaotic production that reached its apex when red-hot star Winona Ryder, cast as Mary Corleone, left the production just before her scenes were to be shot. Francis Ford Coppola replaced her with his non-actress daughter Sofia. Continue Reading →
Hunters
Al Pacino leads a team of Nazi hunters in a brassy Amazon series stuffed with Holocaust pathos and comic-book sleaze.
(Editor's note: this review is based on the first five episodes of the show, which is what was provided to critics prior to the show's premiere.)
Amazon’s Hunters is a lot. That’s not bad, by any means, but it is a heads up. It’s funny and heartbreaking and stressful, a love letter to exploitation films, comic books, and revenge fantasies, and it is a lot. It’s also very much something that people need to see right now. Created and written by David Weil and produced by Jordan Peele, Hunters was inspired by his grandmother’s stories about World War II and the Holocaust, stories that Weil saw as a battle between good and evil (much like the comics that the show references and draws visual inspiration from). Nothing is as simple as good versus evil, of course, but Hunters does an excellent job of addressing the battles head-on.
Set in 1977, the show revels in its primary NYC setting, full of grit and cigarettes and flickering subway car lights, and the visits to other locales are given equal ‘70s glory by production designer Curt Beech and set decorator Cathy T. Marshall, with loud wallpaper and lights shaped like grapes and so much carpeting. The most real and lived-in location is the modest house where 19-year old Jonah Heidelbaum (Logan Lerman) lives with his grandmother Ruth (Jeannie Berlin). After Ruth is murdered and the police handwave her death as a burglary, Jonah is approached by Meyer Offerman (Al Pacino), who knew Ruth from their time in a concentration camp and who, Jonah comes to learn, is the financier and now leader (in Ruth’s absence) of a group of Nazi hunters. While the Hunters are working from a list of Nazis who were active during the war and are now living in the United States, it becomes clear that there is a wider network at play and larger stakes than even the Hunters had suspected. Continue Reading →