Persuasion
StarringAnthony Stewart Head,
There’s no kind way to say this, so let’s get it out of the way at the top: Netflix’s production of Persuasion thinks you’re stupid. Despite being an adaptation of Jane Austen’s classic novel, this film has faith in neither its source material, nor its audience. Continue Reading →
Vanity Fair
Mira Nair’s 2004 adaptation of Vanity Fair opens with our famous heroine, Becky Sharp, as a young child tearfully watching her father sell off a portrait of her deceased mother. The portrait, a dark Gainsborough-esque profile with its sut-colored background, dusty white skin, and faintly rosy cheeks, means so much for young Becky, and us in Nair’s audience. As the camera tracks at child-height, watching the portrait leave the shop, Becky loses the last connection to a lineage that will both help and hinder her social mobility. Continue Reading →
Emma
Clever, handsome, and rich but not necessarily in that order, Emma Woodhouse (Anya Taylor-Joy) is a self-made matchmaker. She tinkers in the personal lives of her peers; she fancies herself somewhere between a queen bee and a B-level goddess. That isn’t to say she plays god, though. She has just enough at stake for that to not be the case. It’s more that she, given her 1800s English setting and semi-detached friendships, is royalty in training. It’s an archetypal base that’s spawned adaptations both loose and tight, but when it comes to Autumn de Wilde’s, it’s a little too atrophied to be either. Continue Reading →