If you have finished watching the film Jamon Jamon (1992) and are looking for other movies like it, here is a list of options to consider.
Ferrari
SimilarA Beautiful Mind (2001), Ali: Fear Eats the Soul (1974), Almost Famous (2000), Anna and the King (1999), Apollo 13 (1995), Belle de Jour (1967),
Boys Don't Cry (1999) Brubaker (1980), Cat on a Hot Tin Roof (1958), Crash (1996), Dead Poets Society (1989), Donnie Brasco (1997), Driving Miss Daisy (1989), Enough (2002), Erin Brockovich (2000), Freedom Writers (2007), Gandhi (1982), GoodFellas (1990), Gridiron Gang (2006), La Vie en Rose (2007), Little Miss Sunshine (2006), M*A*S*H (1970), Manhattan (1979), Mississippi Burning (1988), Raging Bull (1980), Rosemary's Baby (1968), Schindler's List (1993), Shall We Dance? (2004), Sissi (1955), Stand by Me (1986), The Art of Racing in the Rain (2019), The Bridges of Madison County (1995), The Elephant Man (1980), The Godfather (1972), The Last Emperor (1987), The Pianist (2002), The Poseidon Adventure (1972), The Pursuit of Happyness (2006), The Straight Story (1999), Titanic (1997), West Side Story (2021),
Watch afterDune: Part Two (2024), Leave the World Behind (2023), Poor Things (2023), Saltburn (2023), The Killer (2023), The Marvels (2023), Wonka (2023),
Adam Driver does insightful, searching work as auto legend Enzo Ferrari in the filmmaker's study of a pivotal year in his life.
Michael Mann’s 21st-century work is, first and foremost, a cinema of feeling. When it comes to the details, he remains as much of a nerd as he was when he choreographed the thrilling terror of Heat’s climactic blowout. But Collateral, Miami Vice, and Blackhat pay special mind to the senses, to connection. It’s Colin Farrell and Gong Li finding a rare moment of joy as they dance to live music in Havana. It’s Jamie Foxx, Jada Pinkett Smith, and Tom Cruise taking in the stillness of daybreak on an L.A. train. It’s Chris Hemsworth and Tang Wei clinging to each other on a near-empty subway as they try and fail to block out grief for survival’s sake. In Ferrari, it’s Adam Driver and Penélope Cruz sitting across from each other, laying out what they need from each other in their business partnership and estranged marriage.
But while Ferrari is unmistakably in conversation with Mann and his creative collaborators’ earlier work, it’s more emotionally reserved than much of his 21st-century filmography. While his John Dillinger picture Public Enemies is certainly a cousin (a period piece built on a specific period in the life of an iconic man), it’s as much about the time and place and the ensemble. Ferrari is, first and foremost, a character study. Continue Reading →
May December
SimilarAli: Fear Eats the Soul (1974), Anna and the King (1999), Billy Elliot (2000), Brazil (1985), Breakfast at Tiffany's (1961), Buffalo Soldiers (2002), Dawn of the Dead (2004), Fargo (1996), M*A*S*H (1970), Mars Attacks! (1996), Monster (2003), My Own Private Idaho (1991), Mystic River (2003), Oldboy (2003), Once Upon a Time in America (1984), Shaun of the Dead (2004), Stalker (1979), Talk to Her (2002), The Life Aquatic with Steve Zissou (2004), The Pursuit of Happyness (2006), The Road (2009), The Tin Drum (1979), Volver (2006), Wonder Boys (2000),
Watch afterAmerican Fiction (2023), Anatomy of a Fall (2023), Killers of the Flower Moon (2023), Leave the World Behind (2023), Napoleon (2023),
Oppenheimer (2023) Poor Things (2023), Saltburn (2023), Thanksgiving (2023),
In such films as Superstar: The Karen Carpenter Story, Velvet Goldmine and I’m Not There, filmmaker Todd Haynes has taken the stories of famous people and utilized what we know—or think we know—about them to explore ideas about celebrity and our all-consuming need to render their often-complex stories into straightforward narratives. That strange compulsion to explain, understand, and commodify the lives of real people is at the heart of his latest work, May December, and it certainly seems to have sparked something in him because the end result is the strongest work that he has done in quite some time. Continue Reading →
Fair Play
Similar9 Songs (2004), A Real Young Girl (1976), Anatomy of a Murder (1959), Basic Instinct (1992), Belle de Jour (1967),
Bend It Like Beckham (2002) Boys Don't Cry (1999) Cape Fear (1991), Cat on a Hot Tin Roof (1958), Cléo from 5 to 7 (1962), Contempt (1963), Copying Beethoven (2006), Eternal Sunshine of the Spotless Mind (2004), Italian for Beginners (2000), Little Miss Sunshine (2006), Lost in Translation (2003), Memento (2000), Raging Bull (1980), Secret Window (2004), Shall We Dance? (2004), Talk to Her (2002), The Handmaid's Tale (1990), The Holiday (2006), The Shining (1980), Vertigo (1958), Volver (2006),
Watch afterBarbie (2023) Leave the World Behind (2023), Mission: Impossible - Dead Reckoning Part One (2023), The Killer (2023),
StudioMRC,
Fair Play is all about the rules of engagement—in business, in bed, in relationships—and the chaos that ensues when someone who lives and dies by those rules suspects his partner is breaking them. However, it isn’t the fairness of the righteous or the just she’s violating. No, it is the unwritten rules he believes everyone should play the game by. Continue Reading →
Sightseers
This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn't exist. Continue Reading →
Barbie
SimilarBridget Jones's Diary (2001), Catwoman (2004), Enchanted (2007), Ghost (1990), Ghostbusters (1984), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), The Holiday (2006), The Matrix Reloaded (2003), The Matrix Revolutions (2003), Volver (2006),
Watch afterBlue Beetle (2023), Elemental (2023), Indiana Jones and the Dial of Destiny (2023), Meg 2: The Trench (2023),
Oppenheimer (2023) Spider-Man: Across the Spider-Verse (2023), The Flash (2023),
The news that director Greta Gerwig’s follow-up project to her celebrated adaptation of Little Women would be a movie about Barbie dolls was met with skepticism and even disappointment when first announced in mid-2019. What did it mean for the future of one of Hollywood’s few high-profile female directors? Would she abandon her apparent passion for telling intimate stories about coming of age? Continue Reading →