Landscape with Invisible Hand
Similar2001: A Space Odyssey (1968), 9 Songs (2004), A Clockwork Orange (1971), Annie Hall (1977), Apocalypse Now (1979),
Blade Runner (1982) Boys Don't Cry (1999) Contact (1997), East of Eden (1955), Eternal Sunshine of the Spotless Mind (2004), Fried Green Tomatoes (1991),
Jackie Brown (1997) Manhattan (1979), Mars Attacks! (1996), Mary Poppins (1964), Metropolis (1927), Predator (1987), Random Harvest (1942), Solaris (1972), Stalker (1979), The Elementary Particles (2006),
The Name of the Rose (1986) The Outsiders (1983), The Science of Sleep (2006), The Silent Partner (1978), The Thirteenth Floor (1999), To Die For (1995), War of the Worlds (2005),
Watch afterBarbie (2023) Rebel Moon - Part One: A Child of Fire (2023), Shortcomings (2023), The Equalizer 3 (2023),
StudioMetro-Goldwyn-Mayer,
Cory Finley is obsessed with money. His characters have nice things or want them. They live in beautiful houses or enviously plot to get them. Even in the year 2036, with aliens living on (or, more precisely, about two miles above) planet Earth, people still fret over money and try to make scads of it. That’s the state of things in his latest, Landscape with Invisible Hand. It’s a title with the same bespoke aestheticism as the stuffed ocelots and oversized chess pieces his characters own. It feels seemingly designed to scare off less curious viewers. While the film has an awful lot of plot, the undergirding is the same. As in his 2017 debut Thoroughbreds, his follow-up Bad Education, and even his episodes of the abysmal miniseries WeCrashed, the drama comes from the idea of what money does to the soul. Continue Reading →
Creed III
SimilarDie Hard 2 (1990), Die Hard: With a Vengeance (1995), Godzilla Raids Again (1955), Live Free or Die Hard (2007), Raging Bull (1980),
Watch afterThe Super Mario Bros. Movie (2023),
StudioMetro-Goldwyn-Mayer,
Round three of twelve. Adonis Creed (Michael B. Jordan)—the fresh-out-of-retirement undisputed heavyweight champion of the world—faces Damian "Diamond Dame" Anderson (Jonathan Majors)—the ruthless-came-from-eighteen-years-in-prison reigning champ. Growing up in a group home, Adonis and Damian were brothers—united by care for one another in a callous system and a shared love of the sweet science. Continue Reading →
Dog
Watch afterDoctor Strange in the Multiverse of Madness (2022),
StudioFilmNation Entertainment, Metro-Goldwyn-Mayer,
The love of an animal can be transformative. The mix of companionship and responsibility that taking care of a pet entails can help create stability in an otherwise chaotic life. So it's no surprise that several movies explore the relationship between humans and canines. Continue Reading →
Licorice Pizza
SimilarLet the Right One In (2008),
Watch afterNightmare Alley (2021), The Power of the Dog (2021), West Side Story (2021),
StudioBron Studios, Metro-Goldwyn-Mayer,
Paul Thomas Anderson set out to make a love story with Licorice Pizza, and ended up creating his most joyful flick to date. Seemingly lacking is the dark heart so many of his stories contain, whether it’s in the wildly toxic relationship between designer and muse in Phantom Thread or brutal depictions of loss and loneliness in Magnolia. Instead, Licorice Pizza has a lightness he hasn’t truly approached since Punch-Drunk Love. Continue Reading →
The Addams Family 2
Similar28 Weeks Later (2007), Perfume: The Story of a Murderer (2006),
StudioBron Studios, Metro-Goldwyn-Mayer,
The Addams Family characters have existed since 1938 and yet they’ve never felt as tired as they do in The Addams Family 2. A “kooky and spooky” family once known for subverting the norms is now the star of a movie that couldn’t be more ordinary. If you’ve seen one subpar computer-animated kids film from the last 15 years, you’ve probably seen all the worst bathroom and slapstick gags The Addams Family 2 has to offer. Here’s a feature that can’t be called a success unless it’s intended goal was to make one yearn for the sophistication of Hotel Transylvania 2. Continue Reading →
No Time to Die
Watch afterDune (2021), Eternals (2021), Free Guy (2021), Shang-Chi and the Legend of the Ten Rings (2021),
To speak of No Time to Die is to speak of what came before it. Of course, that sounds obvious in theory; the Daniel Craig era of 007 comes to an end here. They lightly tied into each other until Spectre drunkenly tried and failed at deepening the mythology. While the quality of the films varied, at least they were all distinct. It's been fifteen years and five movies -- now it all comes to a head, the stakes ostensibly high and the emotions primed to be deeper. And yet, against all odds, Cary Joji Fukunaga's offering to the franchise is derivative enough of its most recent predecessors to fumble conceptually and concretely. Continue Reading →
Candyman
As sparse as it is specific, Nia DaCosta’s Candyman feels like falling into a nightmare. It has the context, but the context feels increasingly shifted. It has the gravity, but the weight at hand seems to fall onto its audience in slow motion. It has a sense of remove but also a sense of intimacy, and as the picture develops, those schisms manage to lean into one another. Bernard Rose’s 1992 original was about the outsider looking in. DaCosta’s, on the other hand, is about the insider being forcibly removed from himself, and it’s a film as attuned to its own legacy as it is the legacy that’s been hoisted upon it. Continue Reading →
The Girl with the Dragon Tattoo
David Fincher's 2011 adaptation of The Girl with the Dragon Tattoo is both a quite good movie and a deeply frustrating one. At its best, it thrillingly delves into the art of investigation through the eyes of two well-crafted and well-performed protagonists. At its worst, it falls flat on its face and takes its sweet time to get up, dust itself off, and get back into a groove. Continue Reading →