Suitable Flesh
Watch afterAvatar: The Way of Water (2022), Evil Dead Rise (2023), Five Nights at Freddy's (2023), Leave the World Behind (2023), Saw X (2023), Top Gun: Maverick (2022),
There have been numerous film adaptations of the work of H.P. Lovecraft, featuring everyone from Sandra Dee (The Dunwich Horror) to Nicolas Cage (Color Out of Space). However, it was the late filmmaker Stuart Gordon who best managed to capture the peculiar and often perverse charms of Lovecraft’s work. With their combination of weirdo humor, bizarre imagery, kinky sex, grisly bloodshed and better-than-expected performances, his Re-Animator and From Beyond became instant cult classics and unquestioned high points of the entire horror genre in the 1980s. Continue Reading →
Dear David
Similar9 Songs (2004), Aladdin (1992), Annie Hall (1977), Ben-Hur (1959), Cruel Intentions (1999), Eternal Sunshine of the Spotless Mind (2004), Finding Forrester (2000), Let the Right One In (2008), Manhattan (1979), Match Point (2005), Moulin Rouge! (2001), Stand by Me (1986), The Science of Sleep (2006), Titanic (1997), True Romance (1993), Wild at Heart (1990),
Watch afterAnt-Man and the Wasp: Quantumania (2023), Avatar: The Way of Water (2022), Black Panther: Wakanda Forever (2022),
Outside of Janicza Bravo’s Twitter thread turned feature film Zola, viral social engagements have rarely yielded great art. Nonetheless, Buzzfeed Studios wades into the fray with the horror film Dear David. Based on a series of Twitter threads from their former comic artist Adam Ellis, the story chronicles Ellis’s experiences with a possible supernatural presence in his New York apartment. That may seem like a fresh idea, but the film traffics in standard scary movie tropes, a stunted look, and an overreliance on the concept. Continue Reading →
Mission: Impossible - Dead Reckoning Part One
SimilarArmageddon (1998), Beverly Hills Cop (1984), Beverly Hills Cop II (1987), Beverly Hills Cop III (1994), Die Hard 2 (1990), Die Hard: With a Vengeance (1995), Godzilla Raids Again (1955),
Jackie Brown (1997) Jaws: The Revenge (1987),
Live and Let Die (1973) Live Free or Die Hard (2007), Ocean's Twelve (2004), Spider-Man 2 (2004), Spider-Man 3 (2007), Superman Returns (2006), The Matrix Reloaded (2003), The Matrix Revolutions (2003),
Watch afterBarbie (2023) Five Nights at Freddy's (2023), Indiana Jones and the Dial of Destiny (2023),
Oppenheimer (2023) The Equalizer 3 (2023), The Flash (2023), The Nun II (2023),
One of Mission: Impossible - Dead Reckoning Part One's earliest pieces of marketing was a trailer-by-way-of-behind-the-scenes featurette. In that clip, Tom Cruise, strapped to a motorcycle, rockets off the edge of a cliff in the Swiss Alps. He lets the bike drop away before popping his parachute and sailing into the horizon. It's one of the most death-defying sequences ever captured on film and, as we now know, it's one Cruise himself did again and again and again. The sequence, even devoid of context, sums up exactly what director Chris McQuarrie and Cruise (the two are also co-producers) hoped to achieve in Dead Reckoning: grade A movie spectacle. Continue Reading →
Hell House LLC Origins: The Carmichael Manor
SimilarEyes Wide Shut (1999),
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Agnes
Mickey Reece's latest eases you into a darkly comic take on the typical possession film, before turning an ambitious 180 into more solemn territory.
This review is part of our coverage of the 2021 Tribeca Film Festival.
Oklahoma City-based filmmaker Mickey Reece is as idiosyncratic as he is prolific; Agnes is his twenty-fifth movie in the past decade. And like his previous films (Mickey Reece's Alien, Climate of the Hunter), it's just as hard to categorize. Step into Agnes totally unfamiliar, and you might expect the typical possession-horror endemic of something like The Nun or, well, the obvious nod to Agnes of God. But right from its opening minutes, Agnes sets itself apart with a winningly dark humor; wait even longer still, and its halfway point will surprise you even further. Continue Reading →
In the Earth
Ben Wheatley's pandemic-shot sci-fi effort is a derivative and predictable trip through the fog despite a few choice moments.
(This review is part of our coverage of the 2021 Sundance Film Festival.)
A few months ago, Ben Wheatley did what seems to be en vogue as of late: make a movie mid-pandemic. It was over 15 days in August 2020 when Wheatley shot his latest from his own script, and does this one tick a few of the usual boxes. Lethal virus outbreak? Check. Lethal virus that isn’t actually COVID-19 but clearly is? Check. A non-COVID-19 lethal virus that feels extraneous overall? Yep, and yet its predictability goes beyond that. In the Earth sees Wheatley aping Andrei Tarkovsky by taking liberally from Stalker, but it also sees him aping himself by rehashing A Field in England much more predictably.
It’s pretty clear stuff throughout. While the cities rage with illness, Dr. Martin Lowery (Joel Fry) heads on a mission to a test site deep in the forest. After getting to a lodge closer to civilization, he makes the acquaintance of Alma (Ellora Torchia). Alma is a park ranger tasked to guide him, and right after an anonymous figure attacks them, they come across a nature dweller named Zach (Reece Shearsmith). For whatever reason, they think he’s an all right guy to trust, but I forgot to mention that no one in this movie has even the most basic intuition, especially given their professions. Continue Reading →