The Holdovers
SimilarA Christmas Carol (1938), Apocalypse Now (1979), Brazil (1985), Donnie Brasco (1997), Driving Miss Daisy (1989), Edward Scissorhands (1990), Fargo (1996), Forrest Gump (1994), Full Metal Jacket (1987), GoodFellas (1990), Home Alone 2: Lost in New York (1992), I Am Not a Serial Killer (2016), JFK (1991), Monster (2003), Mystic River (2003), Oldboy (2003), Scrooge (1951), Shrek the Third (2007), Solaris (1972), The Apartment (1960), The Departed (2006), The Fisher King (1991), The Party 2 (1982), The Poseidon Adventure (1972), The Silent Partner (1978), To Die For (1995), Wonder Boys (2000),
Watch afterAmerican Fiction (2023), Anatomy of a Fall (2023),
Barbie (2023) Killers of the Flower Moon (2023),
Oppenheimer (2023) Poor Things (2023), Society of the Snow (2023), The Killer (2023), The Marvels (2023),
StarringGillian Vigman,
StudioMiramax,
After stumbling with Downsizing, Alexander Payne bounces back with a gentle & witty comedy-drama.
The artist Dmitry Samarov one said to me that the ratio of good to bad late periods in an artist's life was depressing to consider. For every Sir Edward William Elgar there was an Eric Clapton (my example, not his), and that it was rare to see someone sharpen as they aged. Now, I like Dmitry and certainly respect his opinion, but I can’t help but feel that when film overtook painting as the dominant artwork that people engage with, the ratio shifted towards bizarre experimentation and welcome self-reflection as much as dull self reflection.
Take for instance 62 year old Alexander Payne, who, after the biggest disaster of his career (2017’s confused parable Downsizing), has started his fourth decade as a director by leaning hard back into what he knew (and what the royal “we” enjoyed) and rediscovered himself with The Holdovers, a movie no one can seem to stop comparing to Hal Ashby. No mean feat, of course, but even that sells its virtues short. This is no mere homage, no mere return to form, this is the movie that Payne’s been hoping to make since his 90s heyday, a film that earns both its jaundiced gaze and its catharsis. Continue Reading →
Saltburn
SimilarAntonia's Line (1995), Ben-Hur (1959),
Bend It Like Beckham (2002) Billy Elliot (2000), Brazil (1985), Cat on a Hot Tin Roof (1958), Copying Beethoven (2006), Crash (1996), Desert Hearts (1985), Eternal Sunshine of the Spotless Mind (2004), Fargo (1996), Full Metal Jacket (1987), Heavenly Creatures (1994), Klute (1971), Little Miss Sunshine (2006), Lost in Translation (2003), M*A*S*H (1970), Mars Attacks! (1996), My Own Private Idaho (1991), On Her Majesty's Secret Service (1969), Paris Can Wait (2016),
Primal Fear (1996) Rope (1948), Shaun of the Dead (2004), Shrek (2001), Star Trek: First Contact (1996), Strange Days (1995), Talk to Her (2002), The Big Blue (1988), The Fisher King (1991), The Holiday (2006), The Last Emperor (1987), The Tin Drum (1979), To Die For (1995), Vertigo (1958),
Watch afterAnatomy of a Fall (2023), Leave the World Behind (2023), Poor Things (2023), Rebel Moon - Part One: A Child of Fire (2023), Society of the Snow (2023), Thanksgiving (2023), Wonka (2023),
StudioMRC,
With her first film, Promising Young Woman, writer-director Emerald Fennell took a storyline that was essentially a cloddish-but-glossy retread of such female-driven revenge sagas as Ms .45 and I Spit on Your Grave, infused it with insights regarding gender issues that would barely have passed muster in a 100-level college class and somehow rode it to inexplicable praise and an Oscar for Best Original Screenplay. Continue Reading →
Memory
SimilarAnnie Hall (1977), Ben-Hur (1959), Cape Fear (1991), Dawn of the Dead (2004), Donnie Brasco (1997), Enough (2002), Eternal Sunshine of the Spotless Mind (2004), Eyes Wide Shut (1999), From Russia with Love (1963), GoodFellas (1990), Hitman (2007), King Kong (2005), Léon: The Professional (1994), Lucky Number Slevin (2006),
Manhattan (1979) Maria Full of Grace (2004), Once Upon a Time in America (1984), Pi (1998), Poseidon (2006),
Shaft (2000) Sliver (1993), Stranger Than Paradise (1984), Taxi Driver (1976), The Apartment (1960), The Departed (2006), The Man with the Golden Gun (1974), The Silent Partner (1978), The Terminal (2004), The Thirteenth Floor (1999), The Usual Suspects (1995), Transamerica (2005), Twelve Monkeys (1995), War of the Worlds (2005), We Own the Night (2007), You Only Live Twice (1967),
Watch afterDoctor Strange in the Multiverse of Madness (2022), Parasite (2019), Society of the Snow (2023), The Batman (2022), Top Gun: Maverick (2022),
StarringRay Stevenson,
Both the main characters in Michel Franco’s Memory are struggling to deal with the echoes of their past. Sylvia (Jessica Chastain), a recovering alcoholic and single mother to 13-year-old Anna (Brooke Timber), desperately wants to forget the unspoken traumas of her childhood. Saul (Peter Saarsgard), on the other hand, can’t grab a hold of his past. He’s powerless as early-onset dementia slowly but inevitably steals it from him. After their high school reunion, he wordlessly follows her home and spends the night standing outside her building. In turn, she visits him at the house he shares with his brother (Josh Charles) and niece (Elsie Fisher). Then she takes him for a walk and accuses him of participating in a rape that she endured at the age of 12, a crime that he has no memory of committing. Continue Reading →
Sayen: La cazadora
At the risk of making a "getting a lot of Sorcerer vibes from this" guy out of myself, The Hunted—William Friedkin's 2003 old-master-hunts-rogue-student thriller really does make for a fascinating counterpart to his earlier men-on-a-desperate-mission masterwork. Both delve into the lives of damaged, forlorn, isolated men on perilous quests for deliverance. And both of those quests lead deep into madness. Both pointedly contrast man-made, flame-choked hellscapes (Sorcerer's exploding oil well, The Hunted's secret mission amidst the Kosovo War) with the vast, amoral green of the deep forest (Columbia and Oregon, respectively). Both turn on setpieces that thrill while maintaining a grounded (if not necessarily "realistic") feel and weave surreality in with care. Continue Reading →