17 Best Pg 13-rated Releases on Hulu
A Haunting in Venice
Similar2001: A Space Odyssey (1968), 28 Weeks Later (2007), A Clockwork Orange (1971), Anatomy of a Murder (1959), Armageddon (1998), Basic Instinct (1992), Beverly Hills Cop (1984), Beverly Hills Cop II (1987),
Blade Runner (1982) Blue Velvet (1986), Caché (2005), Carrie (1976), Contact (1997), Die Hard 2 (1990), Die Hard: With a Vengeance (1995), Don't Bother to Knock (1952), Dr. No (1962), Freedom Writers (2007), From Russia with Love (1963), Ghost (1990), Goldfinger (1964),
Jackie Brown (1997) Just Cause (1995), Klute (1971), Live Free or Die Hard (2007), Memento (2000), On Her Majesty's Secret Service (1969),
Primal Fear (1996) Rebecca (1940) Rosemary's Baby (1968), Sahara (2005), Saw (2004), Secret Window (2004),
Shaft (2000) Shooter (2007), Sin City: A Dame to Kill For (2014), Solaris (1972), Stand by Me (1986), Star Trek: Generations (1994), The Godfather (1972), The Green Mile (1999), The Man with the Golden Gun (1974),
The Name of the Rose (1986) The Outsiders (1983), The Shining (1980), The Usual Suspects (1995), Vertigo (1958), War of the Worlds (2005), Wild at Heart (1990), You Only Live Twice (1967),
Watch afterFive Nights at Freddy's (2023), Killers of the Flower Moon (2023),
Oppenheimer (2023) Saw X (2023), Thanksgiving (2023), The Hunger Games: The Ballad of Songbirds & Snakes (2023), The Killer (2023), The Marvels (2023),
Studio20th Century Studios,
The first two entries in director/actor Kenneth Branagh’s foray into Agatha Christie adaptation lost the magic of the English writer’s mysteries. With his third attempt, A Haunting in Venice, Branagh decides to make considerable changes to the story. Using the bones of Christie’s Hallowe’en Party, writer Michael Green changes the setting from a small town in the English countryside to a palazzo in Venice. Branagh emphasizes the gothic elements of Christie’s story, leaning on the horror of the location, the manic nature of the children’s Halloween party, and the gruesome moments before and after an unexpected death. Continue Reading →
Theater Camp
SimilarBend It Like Beckham (2002) Billy Elliot (2000), Four Weddings and a Funeral (1994), Italian for Beginners (2000), Little Miss Sunshine (2006), Muriel's Wedding (1994), My Own Private Idaho (1991), Paris Can Wait (2016), Shrek (2001), Sleepless in Seattle (1993), Stranger Than Paradise (1984),
Watch afterShortcomings (2023),
StarringDavid Rasche,
For decades, the great American institution of summer camp has been fodder for cinema, and for good reason. A group of hormonal teenagers put together in an artificial environment is the perfect recipe for drama, with the gorgeous backdrop of the outdoors. Continue Reading →
The League of Extraordinary Gentlemen
SimilarBatman Forever (1995), Constantine (2005), Sin City (2005), Spider-Man 2 (2004), Spider-Man 3 (2007), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), The Dark Knight (2008),
Studio20th Century Fox, Walt Disney Productions,
One of the things I enjoy most about the moviegoing experience is coming out of a film feeling as if I've actually learned something that I didn't know before, or had not even occurred to me in the first place. That's exactly the feeling that I got while watching Sam Pollard’s The League, a documentary about the history of Negro baseball leagues in America. Going in, I suppose I knew the basics about the subject and could name such key figures as Josh Gibson and Satchel Paige, but Pollard, who previously directed MLK/FBI, and executive producer Questlove delve much deeper, and the results are indeed fascinating. Continue Reading →
Flamin' Hot
Watch afterSaw X (2023), Thanksgiving (2023), The Flash (2023),
StudioSearchlight Pictures,
Of all the oddball trends in 2023’s multiplex movies, the strangest has to be Hollywood’s current obsession with films about the origins of familiar consumer lines and products, including Air Jordans, Tetris, and the BlackBerry PDA. The films have been okay—and Air’s genuinely quite good—but even so, when all is said and done, it is hard to shake the sense that what you have been watching is less a movie than an elaborate brand extension designed to remind viewers of the benevolence and vision of our corporate overlords. That is especially true in the case of Eva Longoria’s directorial debut Flamin’ Hot, a film whose story is almost too good to be true (more on that later) but which is, in practice, an ironically bland bit of product placement even more processed and devoid of nourishment than the snack food it celebrates. Continue Reading →
See How They Run
StudioSearchlight Pictures, TSG Entertainment,
“You’ve seen one you seen them all," says the dastardly movie director from beyond the grave. It’s the recently murdered Leo Köpernick (Adrien Brody), telling us early in the film about how stale the murder mystery genre was even by the 1950s, when See How They Run takes place. It’s also a warning to the audience that this movie will not be adding anything new, revelatory, or exciting to whodunnit cinema. Everything here has been done before, and better. Continue Reading →
Mack & Rita
Many of us have been called “old souls.” We are the people who feel out of step with our times. Director Katie Aselton’s Mack & Rita is a charming new comedy for us old gals that provides a refreshing update to the magical comedies of yesteryear. Continue Reading →
The Valet
Eugenio Derbez has followed all the proper steps for any comedic leading man, including breaking out with a movie whose success nobody saw coming (Instructions Not Included) to side roles in long-forgotten blockbusters (Geostorm). Now he's taken a cue from many other modern stars of the genre like Adam Sandler or Melissa McCarthy and moved to 'streaming service A-lister' with Hulu's latest, The Valet. Continue Reading →
Umma
Sandra Oh has always had range, and her demonstration of it for viewers has always been spectacular. However, the feat she’s pulled this month will be tough to trounce. Oh has folks turning red one Friday and blanch white the next. And she pulls off the jaw-dropping swing in an on-screen mold as traditionally restrictive as “mother to a teenage daughter.” That said, whereas Mrs. Lee in Turning Red strives to adapt whenever possible, Amanda (Oh) in Umma refuses to. Continue Reading →
Uncharted
SimilarKill Bill: Vol. 2 (2004), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005),
Watch afterDoctor Strange in the Multiverse of Madness (2022), Spider-Man: No Way Home (2021), The Batman (2022),
StudioColumbia Pictures, PlayStation Productions,
Stop me if you’ve heard this one: A treasure hunter walks into a Papa John's franchise in the middle of beautiful Barcelona. He’s there to unlock a complicated puzzle in the hopes of getting one step closer to finding the gold lost during the epic journey of Ferdinand Magellan 500 years prior. The man is Victor “Sully” Sullivan, played by Mark Wahlberg, who appears to be going through the motions without any real fun or excitement, just like this movie. Continue Reading →
Crazy Rich Asians
The director-writer & star of Asia talk death, love & the immigration experience.
A mother, her rebellious teen daughter, and an illness. It’s a story that’s been done and redone so many times that it’s basically become a subgenre. But in Ruthy Pribar’s feature directorial debut Asia, a tender and devastating character study about motherhood and loss, everything about the subgenre gets rejuvenated. Not because it breathes a new life into it, but because it tells the story in an understated way, with a level of realism that recalls the works of the Dardenne brothers more than it does The Fault in Our Stars.
The titular character, Asia (Alena Yiv), is a 35-year-old single mother who immigrated herself and her daughter from Russia to Israel years ago to start a new life. By day (and sometimes night), Asia works tirelessly as a nurse. But when she’s not taking care of her patients, Asia likes to spend time at a bar, drinking alone and flirting with strangers, or having sex with her colleague in his car as if she’s still a teenager. Continue Reading →
Godzilla vs. Kong
SimilarGodzilla Raids Again (1955), Night at the Museum (2006),
Watch afterBlack Widow (2021), The Suicide Squad (2021),
One of the most fascinating things about Godzilla -- whether in his original Japanese provenance in his long-running series of films, or in the comparatively-recent "MonsterVerse" Westernization of the big lizard, courtesy of Warner Bros. and Legendary -- is that he's so malleable. On the one hand (as with the original 1954 Ishiro Honda film and Gareth Edwards' flawed but philosophically-intriguing 2014 reboot), he can be a poignant vehicle to explore the apocalyptic anxieties of nations ravaged by atomic bombs and climate change. Continue Reading →
Charli XCX: Alone Together
Bradley Bell and Pablo Jones-Soler assemble a freewheeling look at the artistic process from soup to nuts.
(This review is part of our coverage of the 2021 SXSW Film Festival.)
A good number of the films on display at this year’s SXSW festival are works that are inextricably tied to the COVID-19 pandemic, either by using at as a part of the plot or because of the limitations to the production process instilled by quarantine procedures. Alone Together, which had its world premiere at the festival, takes those approaches one step further by serving as a documentary watching an artist—in this case, avant-pop queen Charli XCX—as she goes about her work under the new restrictions brought on by the current reality. Continue Reading →
Flawless
Where’s the line between a messy movie and a movie that’s a mess? Joel Schumacher’s clearly-flawed Flawless oozes with subplots while it tries to fulfill the obligations of an “unexpected buddy” movie. Like the pre-gentrification East Village that it’s built around, characters and cultures clash to chaotic, uneven results. Continue Reading →
Mass
Fran Kranz's debut is an emotional whopper of a drama, a vivid actor's exercise with incredible performances and passionate ruminations on the aftereffects of tragedy.
(This review is part of our coverage of the 2021 Sundance Film Festival.)
One would be forgiven for thinking writer-director Fran Kranz's debut feature, Mass, was based on a play: it's a long, claustrophobic affair, set mostly around a folding card table set meticulously in the middle of a church basement by nearly pathologically-Midwestern church staff in the film's opening minutes. We don't see who's going to sit in them for quite a few minutes, but the way the kindly, empathetic Judy (Breeda Wool) talks to their facilitator Kendra (Michelle N. Carter), we know we're in for an emotionally-loaded experience. By the time Mass's two hours are finished, we're as exhausted as Kranz's subjects, but grippingly, cathartically so. Continue Reading →
Summer of Soul (...Or, When the Revolution Could Not Be Televised)
Ahmir "Questlove" Thompson's documentary about the Harlem Cultural Festival is insightful and loving.
(This review is part of our coverage of the 2021 Sundance Film Festival.)
The word “Woodstock” enters consciousness at a young age. It has become synonymous with classic rock, with music festivals, and with a decade of counterculture. With an estimated 400,000, Woodstock cemented itself as a part of popular culture, an ironic shift in its original meaning and its now-reformed image. Continue Reading →
Songbird
Back in mid-March, Simon Boyes called Adam Mason about an idea for a pandemic thriller. The two writing partners quickly sketched out a plot outline, it began to pick up traction, and it was only a matter of days before Michael Bay came on to the project as a producer. The name would be Songbird. It’d also begin filming that July with Mason directing and come out in December, less than nine months after its inception. All of this said, it’s hard to dissect what’s worse: the fact that people exploited a global tragedy so quickly, or the final result. Continue Reading →
Wild Mountain Thyme
Watch afterBlack Widow (2021), Mission: Impossible - Dead Reckoning Part One (2023),
StarringJon Hamm,
An adaptation of his play Outside Mullingar, which was panned by Irish critics, John Patrick Shanley’s Wild Mountain Thyme follows a pair of neighboring farmers as they try to find love despite an ongoing land dispute they get caught up in. When the trailer to this film came out, it was immediately mocked for awful accents and a questionable depiction of Ireland. From watching, it turns out those criticisms were correct. This is a soulless film that does little more than create some pretty shots for the Irish tourist board. Continue Reading →