May December
SimilarAli: Fear Eats the Soul (1974), Anna and the King (1999), Billy Elliot (2000), Brazil (1985), Breakfast at Tiffany's (1961), Buffalo Soldiers (2002), Dawn of the Dead (2004), Fargo (1996), M*A*S*H (1970), Mars Attacks! (1996), Monster (2003), My Own Private Idaho (1991), Mystic River (2003), Oldboy (2003), Once Upon a Time in America (1984), Shaun of the Dead (2004), Stalker (1979), Talk to Her (2002), The Life Aquatic with Steve Zissou (2004), The Pursuit of Happyness (2006), The Road (2009), The Tin Drum (1979), Volver (2006), Wonder Boys (2000),
Watch afterAmerican Fiction (2023), Anatomy of a Fall (2023), Killers of the Flower Moon (2023), Leave the World Behind (2023), Napoleon (2023),
Oppenheimer (2023) Poor Things (2023), Saltburn (2023), Thanksgiving (2023),
In such films as Superstar: The Karen Carpenter Story, Velvet Goldmine and I’m Not There, filmmaker Todd Haynes has taken the stories of famous people and utilized what we know—or think we know—about them to explore ideas about celebrity and our all-consuming need to render their often-complex stories into straightforward narratives. That strange compulsion to explain, understand, and commodify the lives of real people is at the heart of his latest work, May December, and it certainly seems to have sparked something in him because the end result is the strongest work that he has done in quite some time. Continue Reading →
You Are So Not Invited to My Bat Mitzvah
SimilarBring It On (2000), Fried Green Tomatoes (1991), Manhattan (1979), Mary Poppins (1964), Sahara (2005), To Die For (1995), Willy Wonka & the Chocolate Factory (1971), Wonder Boys (2000),
You Are So Not Invited to My Bat Mitzvah has a simple premise. Stacy Friedman (Sunny Sandler) wants her bat mitzvah, only a few weeks away, to be perfect. Using that premise, the film takes off, exploring the growing pains of middle school. Continue Reading →