If you have finished watching the film The Miracle Worker (1962) and are looking for other movies like it, here is a list of options to consider.
Ferrari
SimilarA Beautiful Mind (2001), Ali: Fear Eats the Soul (1974), Almost Famous (2000), Anna and the King (1999), Apollo 13 (1995), Belle de Jour (1967),
Boys Don't Cry (1999) Brubaker (1980), Cat on a Hot Tin Roof (1958), Crash (1996), Dead Poets Society (1989), Donnie Brasco (1997), Driving Miss Daisy (1989), Enough (2002), Erin Brockovich (2000), Freedom Writers (2007), Gandhi (1982), GoodFellas (1990), Gridiron Gang (2006), La Vie en Rose (2007), Little Miss Sunshine (2006), M*A*S*H (1970), Manhattan (1979), Mississippi Burning (1988), Raging Bull (1980), Rosemary's Baby (1968), Schindler's List (1993), Shall We Dance? (2004), Sissi (1955), Stand by Me (1986), The Art of Racing in the Rain (2019), The Bridges of Madison County (1995), The Elephant Man (1980), The Godfather (1972), The Last Emperor (1987), The Pianist (2002), The Poseidon Adventure (1972), The Pursuit of Happyness (2006), The Straight Story (1999), Titanic (1997), West Side Story (2021),
Watch afterDune: Part Two (2024), Leave the World Behind (2023), Poor Things (2023), Saltburn (2023), The Killer (2023), The Marvels (2023), Wonka (2023),
Adam Driver does insightful, searching work as auto legend Enzo Ferrari in the filmmaker's study of a pivotal year in his life.
Michael Mann’s 21st-century work is, first and foremost, a cinema of feeling. When it comes to the details, he remains as much of a nerd as he was when he choreographed the thrilling terror of Heat’s climactic blowout. But Collateral, Miami Vice, and Blackhat pay special mind to the senses, to connection. It’s Colin Farrell and Gong Li finding a rare moment of joy as they dance to live music in Havana. It’s Jamie Foxx, Jada Pinkett Smith, and Tom Cruise taking in the stillness of daybreak on an L.A. train. It’s Chris Hemsworth and Tang Wei clinging to each other on a near-empty subway as they try and fail to block out grief for survival’s sake. In Ferrari, it’s Adam Driver and Penélope Cruz sitting across from each other, laying out what they need from each other in their business partnership and estranged marriage.
But while Ferrari is unmistakably in conversation with Mann and his creative collaborators’ earlier work, it’s more emotionally reserved than much of his 21st-century filmography. While his John Dillinger picture Public Enemies is certainly a cousin (a period piece built on a specific period in the life of an iconic man), it’s as much about the time and place and the ensemble. Ferrari is, first and foremost, a character study. Continue Reading →
The Holdovers
SimilarApocalypse Now (1979), Brazil (1985), Donnie Brasco (1997), Driving Miss Daisy (1989), Edward Scissorhands (1990), Fargo (1996), Forrest Gump (1994), Full Metal Jacket (1987), GoodFellas (1990), Home Alone 2: Lost in New York (1992), I Am Not a Serial Killer (2016), Monster (2003), Mystic River (2003), Oldboy (2003), Scrooge (1951), Shrek the Third (2007), Solaris (1972), The Apartment (1960), The Departed (2006), The Fisher King (1991), The Party 2 (1982), The Poseidon Adventure (1972), The Silent Partner (1978), To Die For (1995), Wonder Boys (2000),
Watch afterAmerican Fiction (2023), Anatomy of a Fall (2023),
Barbie (2023) Killers of the Flower Moon (2023),
Oppenheimer (2023) Poor Things (2023), Society of the Snow (2023), The Killer (2023), The Marvels (2023),
StarringGillian Vigman,
StudioMiramax,
After stumbling with Downsizing, Alexander Payne bounces back with a gentle & witty comedy-drama.
The artist Dmitry Samarov one said to me that the ratio of good to bad late periods in an artist's life was depressing to consider. For every Sir Edward William Elgar there was an Eric Clapton (my example, not his), and that it was rare to see someone sharpen as they aged. Now, I like Dmitry and certainly respect his opinion, but I can’t help but feel that when film overtook painting as the dominant artwork that people engage with, the ratio shifted towards bizarre experimentation and welcome self-reflection as much as dull self reflection.
Take for instance 62 year old Alexander Payne, who, after the biggest disaster of his career (2017’s confused parable Downsizing), has started his fourth decade as a director by leaning hard back into what he knew (and what the royal “we” enjoyed) and rediscovered himself with The Holdovers, a movie no one can seem to stop comparing to Hal Ashby. No mean feat, of course, but even that sells its virtues short. This is no mere homage, no mere return to form, this is the movie that Payne’s been hoping to make since his 90s heyday, a film that earns both its jaundiced gaze and its catharsis. Continue Reading →
Priscilla
SimilarAli: Fear Eats the Soul (1974), Anatomy of a Murder (1959), Annie Hall (1977), Belle de Jour (1967), Billy Elliot (2000), Blood and Chocolate (2007),
Boys Don't Cry (1999) Cat on a Hot Tin Roof (1958), Contempt (1963), Crash (1996), Dead Poets Society (1989), Desert Hearts (1985), Dirty Dancing (1987), Donnie Brasco (1997), Enough (2002), Eternal Sunshine of the Spotless Mind (2004), Forrest Gump (1994), Gandhi (1982), Italian for Beginners (2000), La Vie en Rose (2007), Little Miss Sunshine (2006), Lost in Translation (2003), Once Upon a Time in America (1984), Raging Bull (1980), Shall We Dance? (2004), Solaris (1972), Strange Days (1995), The Bridges of Madison County (1995), The Cider House Rules (1999), The Elephant Man (1980), The Irishman (2019), The Last Emperor (1987), The Pursuit of Happyness (2006), The Science of Sleep (2006), The Tin Drum (1979), Wonder Boys (2000),
Watch afterAquaman and the Lost Kingdom (2023), Killers of the Flower Moon (2023), Rebel Moon - Part One: A Child of Fire (2023), Saltburn (2023), Society of the Snow (2023), Thanksgiving (2023), The Hunger Games: The Ballad of Songbirds & Snakes (2023), The Killer (2023), The Marvels (2023), Wonka (2023),
StarringDagmara Domińczyk,
StudioAmerican Zoetrope,
As daybreak bleeds from within the walls, Priscilla Presley (Cailee Spaeny) wakes up next to her husband, Elvis (Jacob Elordi). Her water’s broken and, as he calls for a car, she goes to the bathroom, where she applies the perfect fake eyelashes in silence. Continue Reading →