Strays
SimilarArmageddon (1998), Austin Powers: The Spy Who Shagged Me (1999), Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Bridget Jones's Diary (2001), Bring It On (2000), Fantastic Four: Rise of the Silver Surfer (2007), From Russia with Love (1963), Ghostbusters (1984), Goldfinger (1964), Night at the Museum (2006), Ocean's Eleven (1960), Shrek the Third (2007), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005),
Watch afterBarbie (2023) Blue Beetle (2023), Elemental (2023), Indiana Jones and the Dial of Destiny (2023), Meg 2: The Trench (2023),
Oppenheimer (2023) Talk to Me (2023), The Nun II (2023),
Talking animals have been an entertainment staple for practically as long as movies have been around. Most classics of the genre, like 1993’s Homeward Bound, aim squarely at children in the audience. Director Josh Greenbaum’s Strays seeks to subvert that approach by weaving dirty jokes and curse words into familiar genre tropes. The result is considerably more grating and unpleasant to watch. Continue Reading →
The Blazing World
SimilarPoseidon (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005),
Carlson Young writes, directs and stars in a baffling horror-fantasy about a young woman who deals with trauma by disappearing into an elaborate alternate universe.
The nature of trauma, and how it impacts the human brain, is something that’s frustrating understudied, largely because it’s different for everyone. Some of us can take the terrible things we’ve experienced head on, moving past them and living a normal life. Some of us struggle to maintain that sense of normalcy, while our trauma lingers in the shadows just behind us. And some are so consumed by it that the entire world becomes a hostile, dangerous place. Carlson Young’s The Blazing World is an elaborate take on the latter, an ambitious spectacle for the eyes that lacks in comprehension.
Based on her short film of the same name, Young writes, directs and stars as Margaret, who as a child witnessed the accidental death of her twin sister. The event leaves her haunted by visions of a mysterious man (Udo Kier) who might be the Devil, if for no other reason than every character Udo Kier plays might be the Devil. Some fifteen or so years later, he’s still hanging around, leering at her and trying to lure Margaret into some sort of portal. Continue Reading →