3 Best TV Shows Similar to Spin City
One Day at a Time
Netflix’s new romance limited series offers a thoughtful, warm adaptation of the 2009 novel. The hook of author David Nicholls’ 2009 novel is irresistible. Readers catch up with two former classmates who are something more than friends but not quite lovers on the same day, July 19, every year from 1988 to 2008. It’s no wonder it has managed two adaptations in the 15 years since its release—first as a 2011 movie directed by Lone Scherfig from a script by Nicholls himself and now as a limited series created by Nicole Taylor, with only one Nicholls’ script among the fourteen episodes. Dexter Mayhew (Leo Woodall) is handsome, charismatic, and just rich enough not to worry about making a plan for his future. Emma Morley (Ambika Mod) is also quite attractive—although she can’t (or won’t) see it—and from a working-class background that makes her feel as though she can’t pursue her clear goal for the future: to become a writer. They travel in different circles, but on the night of graduation, they end up falling into her bed. While they kiss plenty, it never goes further, Emma preferring to chat despite her massive and evident crush on Dexter. Continue Reading →
The Morning Show
Aaron Sorkin learned the hard way that no one takes TV as seriously as TV people. When he followed up his critically acclaimed The West Wing, a show about the inner workings of the White House, with Studio 60 on the Sunset Strip he discovered that you can’t treat everything with the gravity of a cabinet meeting and the wit of a theater major who gets straight Bs. His backstage drama about a fake sketch show pleased no one. When he tried to course correct with The Newsroom he tried to portray the American news media out to be brave warriors for the cause of truth. Both shows have lived rich second lives as meme generators about what Andrew Sarris would call "strained seriousness." Continue Reading →
Full Circle
Seeing creators pull together disparate threads into a cohesive whole can often feel like a magic trick. “Oh, that woman on the train platform was the same one waiting outside the bodega. I get it!” and all that. For the attentive viewer, it can feel like an affirmation of one’s thoughtful focus. For the more casual audience members, it can impress and beguile. Push it too far, though, and one might feel less rewarded and more led by the nose. Full Circle dances on that line before stumbling, too far, into EVERYTHING is connected territory. Thankfully, several strong performances and director Steven Soderbergh’s gift for conveying immediacy through his imagery prove enough to redeem the series’ far too nicely wrapped up with a bow conclusion. Continue Reading →