Trolls
SimilarAladdin (1992), Batman Forever (1995), Billy Elliot (2000), Bugsy Malone (1976), Chicago (2002), Dances with Wolves (1990), Dirty Dancing (1987), Enchanted (2007), Fantasia (1940), Forrest Gump (1994), Four Weddings and a Funeral (1994), Harry Potter and the Philosopher's Stone (2001), Harry Potter and the Prisoner of Azkaban (2004), Ice Age (2002), Italian for Beginners (2000), La Vie en Rose (2007), Madagascar: Escape 2 Africa (2008), Mary Poppins (1964), Moulin Rouge! (2001), Muriel's Wedding (1994), My Own Private Idaho (1991), Princess Mononoke (1997), Shall We Dance? (2004), Shrek (2001), Shrek 2 (2004), Shrek the Third (2007), Sleepless in Seattle (1993), Snow White and the Seven Dwarfs (1937), Stranger Than Paradise (1984), The Terminal (2004), Wallace & Gromit: The Curse of the Were-Rabbit (2005), Willy Wonka & the Chocolate Factory (1971),
Studio20th Century Fox,
The Trolls movies continue to indulge in their best and worst impulses in a third installment.
The poster for this past summer's R-rated comedy No Hard Feelings had a reasonably clever tagline to explain the strained dynamic between the film's two leads. Against an image of Jennifer Lawrence squeezing Andrew Barth Feldman's cheeks, a single word is placed on top of each person's face: "Pretty" and "Awkward." Nothing revolutionary in design, but it gets the job done. Best of all, that tagline also makes for an apt descriptor for Trolls Band Together.
The third entry in the Trolls trilogy (based on the popular 80s dolls), Trolls Band Together does indeed live up to the phrase “Pretty. Awkward.” The animators at DreamWorks keep coming up with gorgeous-looking environments for the titular critters to inhabit that look like they emerged from the wreckage of a craft store explosion. Unfortunately, the writing remains as stilted as ever. Continue Reading →
Dear David
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Outside of Janicza Bravo’s Twitter thread turned feature film Zola, viral social engagements have rarely yielded great art. Nonetheless, Buzzfeed Studios wades into the fray with the horror film Dear David. Based on a series of Twitter threads from their former comic artist Adam Ellis, the story chronicles Ellis’s experiences with a possible supernatural presence in his New York apartment. That may seem like a fresh idea, but the film traffics in standard scary movie tropes, a stunted look, and an overreliance on the concept. Continue Reading →