3 Best Movies To Watch After High Life (2018)
Sorcerer
If Sorcerer’s sole highlight was Roy Scheider's descent into hallucinatory madness amidst an almost lunar rock field, it would still be a special movie. Scheider is Jackie Scanlon, an American getaway driver turned washed-up exile in the isolated Columbian village of Porvenir. He’s the last survivor of a desperate mission to transport increasingly unstable dynamite to a burning oil well. The blaze is so bad that only controlled explosions to burn off its fuel stand a chance of extinguishing it. Everything that could go wrong has gone wrong, including Jackie’s kibashed truck giving out a long walk from the well. Haunted by—or just plain hallucinating—the laughter of his dead co-driver, he stumbles forward. Surrounded by the surreal with nothing but a rickety crate between him and the hair-trigger death, it’s all he can do besides die. Continue Reading →
Westworld
My mother was not much of a movie fan. They just never interested her that much, but when it became obvious that I was obsessed with them by the time I reached preschool age, she did nothing to discourage me. Every once in a while she'd let me know that the feature on the The 3:30 Movie (my primary outlet for watching films in those pre-cable, pre-VCR days) was something that I had to watch. Oddly, her instincts often proved to be correct and I was exposed at a very early (perhaps inappropriately so age to such films as The Producers, Duel and the Joan Rivers-penned TV movie The Girl Most Likely To. . ., all of which would be long-standing favorites of mine. Continue Reading →
Old
No cute jokes, no games. Let’s just get the pun out of the way from the top: Old is not a film that ages well. It’s an idea movie. It’s one that pegs itself on a concept, and yet, for the first 40 minutes or so, is bolstered by its more baffling choices. The dialogue feels like it was run back and forth through Google Translate a half-dozen times. The delivery is startlingly stilted, so much so that the sheer artifice combined with the ostentatious camerawork often borders on Camp. As hard as it is to pin down, it’s actually quite stimulating. What it gives us is too specific to dismiss as naive, so why doesn’t it actually working in the end? Continue Reading →