8 Best TV Shows Similar to Deadly Class
X-Men
Regardless of what one thinks of nostalgia—a toxic force or a pleasant refuge from the chaos that is existence—there’s no denying its significant role in shaping and guiding our pop culture. Rather than simply rallying against it, we must, from time to time, acknowledge it and evaluate its accuracy. The launching of X-Men ’97 gives The Spool a unique opportunity to look back at ’97’s progenitor, the early 90’s series X-Men, also commonly known as X-Men: The Animated Series. However, this is not a task for one person. An objective of this size requires a team-up, in the Merry Marvel Tradition. Tim Stevens, The Spool’s steadfast TV Editor, whose stoicism conceals a maelstrom of doubt and rage, much like ruby quartz holds back optic blasts, tackled the first half of the series. Then, Justin Harrison, our near-feral writer with a gift for mentorship and a head full of implanted memories, closes things down with his take on the second half of season 3 and all of seasons 4 and 5. With that, there’s no time to waste. Hop in the Blackbird and come with us for a look at the highlights—and occasional lowlight—of the X-Men! Continue Reading →
X-Men '97
As the saying goes, only '90s kids will remember the severe cultural impact X-Men: The Animated Series had on a particular strain of latchkey millennials. For many, the show, which ran from 1992-97 on the Fox Kids programming block, was the arguable apex of the Marvel superhero team's on-screen representations. It was thrilling, exciting, and for the time, surprisingly mature in its handling of the sociopolitical issues that spawned the comics in the first place -- racism, xenophobia, homophobia. It carried an element of serialized storytelling that was rare for kids' TV and took its characters and their respective issues seriously. Plus, that theme song just slammed. https://www.youtube.com/watch?v=tQjdm8BdJO4 Disney+, in its infinite wisdom, knows how to keep the franchise going while they anxiously figure out how to incorporate the X-Men into the Marvel Cinematic Universe (Deadpool & Wolverine should give us a portent, however grim) -- and to keep the '90s kids satiated with a heaping helping of nostalgia while we wait. So goes X-Men '97, a straightforward continuation of The Animated Series that updates its "too sophisticated for kids" remit all the way to the present day and lands on something interesting, if far from perfect, in the process. Picking up months after the original series' finale, X-Men '97 shows a world reeling from the death of Charles Xavier in the final episode of the animated series: Mutants are mistrusted more than ever, and a growing fifth column of right-wing human militants called the Friends of Humanity are gathering up mutants and taking them down with stolen Sentinel technology. Naturally, it's up to the X-Men to stop them -- if they can pull themselves together and work as a team. Scott Summers (Ray Chase) is the next natural choice for leader, but he's torn between his duty to his fellow X-Men and his desire to start a family with Jean Grey (Jennifer Hale), a move that has ol' Wolverine (Cal Dodd) itching with jealousy. Continue Reading →
True Detective
Jodie Foster and Kali Reis shine as a pair of detectives investigating an increasingly surreal crime. In Sara Gran’s Claire DeWitt mysteries, the title character is a brilliant, eccentric detective haunted by the unsolved disappearance of one of her closest friends. Her cases are vitally recognizable and beautifully surreal. When The Infinite Blacktop, the most recent entry in the series, was released in paperback, Gran held a giveaway, including a copy of the book and some fun feelies. On one of those, a pen, the following was printed: “Open your eyes and learn to see that truth lives in the ether.” In the course of thinking about Issa López (Tigers Are Not Afraid)’s excellent True Detective: Night Country, it’s a line that’s been on my mind. It's the end of 2023. In Ennis, Alaska, the eccentric scientists of the Tsalal research station vanish just as the long polar night sets in. Ennis police chief Liz Danvers (Jodie Foster) and detective-turned-trooper Evangeline Navarro (Kali Reis) know that something is not right. Though bitterly estranged, the former partners share a drive to discover what happened at Tsalal and why. Their need to get to the truth only intensifies after the scientists are discovered in a ghastly, bizarre state—a collective corpsicle, all of them nude and visibly terrified. Continue Reading →
A Murder at the End of the World
Hulu’s crime thriller/environmentalist warning is less than the sum of its references, but star Emma Corrin earns viewers’ attention. The plot for A Murder at the End of the World goes a little something like this. A wealthy tech genius invites a group of similarly impressive individuals—including a detective who seems not to belong—to an isolated location for not entirely clear reasons. A murder sets everyone on edge as competing interests suggest several suspects and impede a proper investigation. Things only get worse as more die, and a storm ensures the group has no means of immediate escape. If you find yourself thinking back to Glass Onion, rest assured you can’t be the only one. Functionally, the series plays as a kind of Anti-Glass Onion, the film’s cracked mirror image. While it is still plenty critical of the rich, it treats them with significantly more credulity. Their reputations earned, they’re genuinely talents apart from the rabble. The big issue isn’t that they're idiots and buffoons but that they’re squirreling away their gifts from the masses. Continue Reading →
Doom Patrol
Doom Patrol Season 4 Part 2 dives headfirst into what has consistently been a series favorite topic since the beginning: death. While much of Patrol has pondered what it would be like to live agelessly—essentially without fear of any possible death except the violent and unusual—but still struggle with every other aspect of being human. The members screwed up, had mental issues and physical ailments, struggled with vanity and loneliness, and frequently gave in to any number of self-loathing varietals. They would never age, but they wore their pain the same as the rest of us. Continue Reading →
Loki
One of the common complaints about Marvel’s attempts at multiverse storytelling is that it renders everything meaningless. If there is another Ikaris of the Eternals out there—or a possibly infinite number of them—why should one care if the one in front of us dies? Generally, this writer finds the argument unconvincing. If I told you there were infinite versions of your friend out there in the multiverse you might someday meet, you’d still care quite a bit to see your version die in front of you. Continue Reading →
Gen V
The Boys is good. Often, it is excellent. However, the Eric Kripke-created adaptation of the Garth Ennis-Darick Robertson-created comic book series sometimes overindulged in juvenilia and “is this too edgy for you, square?” baiting. To be fair, that isn’t exactly unfaithful to the source material. Ennis frequently vacillates between scathingly insightful critiques of the human condition and truckloads of dick jokes (see also, Preacher). Continue Reading →
Physical
So the idea of “having it all” was a big lie, right? It is nearly impossible to balance and give equal time to a fulfilling career, a stable relationship, and full-time parenting, with room for leisure time, hobbies, and staying fit. Something will fall to the wayside somewhere, sacrifices will have to be made that will either affect us now or affect us later. But women, we’ve been hearing this nonsense for decades, right, about how with the perfect day planner or the number one meal delivery service or the best ten-minute workout we can do it, we just have to want it bad enough. But not too bad, because ambition is an ugly thing in women. But, on the other hand, so is laziness. Add “find the right balance between too ambitious and not ambitious enough” to the list of things we have to do. Continue Reading →