らんま½ 劇場版 決戦桃幻郷!花嫁を奪りもどせ!!
SimilarKill Bill: Vol. 1 (2003), Resident Evil: Apocalypse (2004),
Watch afterEverything Everywhere All at Once (2022), Spider-Man: No Way Home (2021), The Equalizer 3 (2023),
StarringMegumi Hayashibara,
StudioStudio Deen,
The new horror film The Invitation opts to take a cue from Smash Mouth’s “All-Star” and hit the ground running. The very first scene of Jessica M. Thompson’s latest directorial effort depicts a woman deciding to escape a lavish home by way of suicide. With the help of a piano string and a medium-sized statue, she’s soon a corpse dangling in the living room of this mansion. Accompanied by pronounced cues on Dara Taylor’s score and claps of thunder, this demise is a striking way to kick off a movie. It’s also, unfortunately, emblematic of a critical narrative misstep from which The Invitation never quite recovers. Continue Reading →
ドラゴンボール超 スーパーヒーロー
SimilarAlien (1979), Back to the Future Part II (1989), Back to the Future Part III (1990), Kill Bill: Vol. 2 (2004),
Live and Let Die (1973) Snakes on a Plane (2006), Star Trek: Generations (1994),
Watch afterThor: Love and Thunder (2022),
StudioToei Animation, Toei Company,
Alright, there's only one way to start this off, so best to do it well. Continue Reading →
シン・ウルトラマン
SimilarGodzilla Raids Again (1955), Stalker (1979), Superman Returns (2006), The Legend of Zorro (2005),
We look at the return of a tokusatsu giant to the big screen, a feature-film extension of a legendary Taiwanese series, and a South Korean romp about a man and his dead dad's haunted car.
(This dispatch is part of our 2022 Fantasia Film Festival coverage.)
2016's Shin Godzilla felt like such a breath of fresh air for a creature and a genre that'd long run around in circles. Hot off the back of America's take on the MonsterVerse, which traded allegory for AAA-budget Hollywood spectacle, Shinji Higuchi and Hideaki Anno reinvented the character in a huge, sprawling disaster flick that was just as much about the inefficacy of Japan's bureaucracy to handle existential threats as it was an eye-opening spectacle. Now, the pair are back (Higuchi directing, Anno writing) to adapt another classic '60s kaiju staple for the modern day with Shin Ultraman, and boy, it's a winner. Continue Reading →
エクスマキナ
SimilarBlown Away (1994), Oldboy (2003), Star Trek: First Contact (1996),
StudioToei Animation, Toei Company,
Apples opens with a series of thuds. With each one, we move in until we’re close-up on details. These are little seeds of a world. Such is the process through which director Christos Nikou peels back the skin of his story. He repeatedly plants tiny granular clues that one would be tempted to spit out and dismiss, but which make all the difference to the growth of the narrative. Continue Reading →
劇場版 呪術廻戦 0
SimilarHellboy (2004),
StarringKotono Mitsuishi, Marina Inoue, Shizuka Itoh,
Jujutsu Kaisen 0 is a darn-good adaptation of manga artist and author Gege Akutami's equally-darn-good dark fantasy shonen battle manga. Its protagonist is compelling, his peers likable, the villain hateful but not without shading. The action is excellent. Alisa Okezahama, Yoshimasa Terui, and Hiroaki Tsutsumi's score rules. The storytelling is overstretched in places, and narrative jumping during the climax gets frustrating, but 0 works far more than it doesn't. Continue Reading →
カウボーイビバップ
SimilarAh! My Goddess, Astro Boy,
Caprica Eureka Seven Fate/Apocrypha, Komi Can't Communicate, The Wallflower,
StarringMegumi Hayashibara,
There’s a moment in the second episode of Cowboy Bebop that captures the experience of the entire series. Spike Spiegel (John Cho) fights a man in a bathroom while a wedding takes place in the same building mere yards away. As Jet Black (Mustafa Shakir) tries to figure out what’s happening over comms—despite it seeming fairly obvious—Spike gets the upper hand. He pauses, shifts slightly, pauses again, and then kicks the man through a bathroom stall door. The man helpfully stayed in place throughout. Continue Reading →
シン・エヴァンゲリオン劇場版:||
SimilarResident Evil: Apocalypse (2004),
StarringKotono Mitsuishi, Mariya Ise, Megumi Hayashibara, Sayaka Ohara,
Let me start by saying this: Evangelion 3.0+1.0: Thrice Upon a Time is the best film I have seen in 2021 so far. It's a gorgeously animated conclusion to one of 20th and 21st-century science fiction's great works. It executes both its quiet, still moments and its grand setpieces with care and precision. The voice cast (who have been playing these roles for decades, going back to the original 1995 television series Neon Genesis Evangelion) and the animation team give the cast an excellently detailed life and liveliness. 3.0+1.0's editing—particularly during its extended, tone-jumping climax—is downright sublime. The imagery? To paraphrase Sam Peckinpah, I will not be forgetting what I've seen in Evangelion 3.0+1.0 any time soon. I do not think I could. From a ruined piece of pre-Impact infrastructure twirling in a patch of broken gravity to one of the titular gargantuan combat androids going to work on a swarm of bizarre, disturbing opponents, it's indelible. Whether familiar or bizarre, beautiful or horrifying, 3.0+1.0's imagery is, without fail, flabbergasting. Continue Reading →
劇場版ポケットモンスター みんなの物語
Stuck in the dark with little but her own fears, the animus of her colleagues, and the terrifying specter of a mysterious presence that haunts the hospital, Val's in for a bone-chilling night that will touch on not just her own personal traumas, but the collective trauma of abused and disbelieved women throughout history. Continue Reading →