The Burial
SimilarAlmost Famous (2000), Anatomy of a Murder (1959), Anna and the King (1999), Apollo 13 (1995),
Boys Don't Cry (1999) Brubaker (1980), Donnie Brasco (1997), Erin Brockovich (2000), Freedom Writers (2007), Gandhi (1982), GoodFellas (1990), Gridiron Gang (2006), Manhattan (1979), Mississippi Burning (1988), Monster (2003), Schindler's List (1993), The Elephant Man (1980), The Last Emperor (1987), The Pursuit of Happyness (2006), The Straight Story (1999), Titanic (1997),
Watch afterBarbie (2023) Killers of the Flower Moon (2023), Mission: Impossible - Dead Reckoning Part One (2023), The Equalizer 3 (2023), The Killer (2023),
StarringAlan Ruck,
Whenever a crowd pleasing movie hits theaters or streaming, people lament, “They don’t make ‘em like they used to.” Often, these people refer to middle-of-the-road movies from the 80s and 90s, the type of film that would play on cable television in the middle of a Sunday afternoon, something that people watch over and over again, simply because it makes them feel lighter. The Burial, the new courtroom drama from writer/director Maggie Betts, falls firmly into this category. It’s dad-fare, set in 1995 when it also likely would’ve had mainstream success in popular culture. Continue Reading →
Strays
SimilarArmageddon (1998), Austin Powers: The Spy Who Shagged Me (1999), Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Bridget Jones's Diary (2001), Bring It On (2000), Fantastic Four: Rise of the Silver Surfer (2007), From Russia with Love (1963), Ghostbusters (1984), Goldfinger (1964), Night at the Museum (2006), Ocean's Eleven (1960), Shrek the Third (2007), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), The Simpsons Movie (2007),
Watch afterBarbie (2023) Blue Beetle (2023), Elemental (2023), Indiana Jones and the Dial of Destiny (2023), Meg 2: The Trench (2023),
Oppenheimer (2023) Talk to Me (2023), The Nun II (2023),
Talking animals have been an entertainment staple for practically as long as movies have been around. Most classics of the genre, like 1993’s Homeward Bound, aim squarely at children in the audience. Director Josh Greenbaum’s Strays seeks to subvert that approach by weaving dirty jokes and curse words into familiar genre tropes. The result is considerably more grating and unpleasant to watch. Continue Reading →