The Beekeeper
The film's biggest highlight is the actor as an unlikely hero: a beekeeper-turned-assassin.
Bees, scammers, and a hive of lies. Jason Statham’s latest record-breaking feature The Beekeeper is honey-soaked, with wisdom that leaves the viewer wanting more and learning to be wary of scammers, stop elder abuse, and save the bees. As he aggressively fights to save the bees (and society) from total destruction, Statham serves up the same kind of grizzled Brit-buster vibes he's given us through decades of punch-em-up action. But this one's something special, a caper that leans into the meme of both Statham's curious star power and his apian brethren.
Directed by David Ayer, The Beekeeper tells the story of Adam Clay (Jason Statham), a beekeeper and retired member of the crime-fighting organization of the same name. But when his elderly neighbor Mrs. Parker (Phylicia Rashad) is subject to scammers and loses everything, Adam goes on a mission to find the scammers and kill their operation to “protect the hive.” His journey leads him all the way to the White House, even involving the FBI and CIA. Continue Reading →
Mean Girls
SimilarAntonia's Line (1995), Austin Powers: The Spy Who Shagged Me (1999),
Bend It Like Beckham (2002) Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Bridget Jones's Diary (2001), Bring It On (2000), Bugsy Malone (1976), Chicago (2002), Enchanted (2007), Italian for Beginners (2000), Little Miss Sunshine (2006), Mary Poppins (1964), Paris Can Wait (2016), Shall We Dance? (2004), Shrek (2001), Sleepless in Seattle (1993), The Holiday (2006), The Party (1980), The Party 2 (1982), The Sisterhood of the Traveling Pants (2005), Willy Wonka & the Chocolate Factory (1971),
Watch afterPoor Things (2023), Saltburn (2023), Society of the Snow (2023), Spider-Man: Across the Spider-Verse (2023), Spider-Man: No Way Home (2021), Wonka (2023),
StarringJon Hamm,
The Broadway adaptation defangs its best characters in a misguided effort to appeal to a new generation of viewers.
Paramount’s new version of Tina Fey’s cult classic Mean Girls boasts a tagline many Millennials found downright offensive upon debut: “This ain’t your mother’s Mean Girls!” The movie, based on the Broadway musical adapted from the original 2004 film, makes it abundantly clear that it’s aimed directly at Gen Z from its very opening moments, which look like a vertical phone video straight out of TikTok. Fey, the writer of both versions of Mean Girls, hasn’t been without her fair share of controversies over the twenty years since the first film premiered. In a clear effort to avoid upsetting younger audience members who have grown up with more sensitive media, Fey kneecaps many of her own best jokes. The updated script is a wobbly attempt to satisfy fans of the original without offending newcomers. The set-ups where there used to be jokes still remain, but they’re empty husks strung together by mostly forgettable songs. Though not without its unique charms, the musical Mean Girls is glaringly unfunny.
The music, written by Fey’s husband and frequent creative collaborator Jeff Richmond, does little to make up for the chasms where cutting punchlines have been removed. Richmond can write excellent, hilarious songs like the ones in 30 Rock and Girls5eva, but his compositions here are basic and feel uninspired. Most of the sincere songs revolve around bland messages about self-esteem that lack any insight into the actual emotional experiences of teenage girls. Emo outcast Janis ‘Imi’ike (Auli’i Cravalho, Moana), formerly a supporting character, gets what feels like four separate songs about the power of Being Yourself. Only “Sexy,” a playful number about Halloween costumes performed by ditzy beauty Karen Shetty (Avantika), stands out. Continue Reading →