The Holdovers
SimilarA Christmas Carol (1938), Apocalypse Now (1979), Brazil (1985), Donnie Brasco (1997), Driving Miss Daisy (1989), Edward Scissorhands (1990), Fargo (1996), Forrest Gump (1994), Full Metal Jacket (1987), GoodFellas (1990), Home Alone 2: Lost in New York (1992), I Am Not a Serial Killer (2016), JFK (1991), Monster (2003), Mystic River (2003), Oldboy (2003), Scrooge (1951), Shrek the Third (2007), Solaris (1972), The Apartment (1960), The Departed (2006), The Fisher King (1991), The Party 2 (1982), The Poseidon Adventure (1972), The Silent Partner (1978), The Sisterhood of the Traveling Pants (2005), To Die For (1995), Wonder Boys (2000),
Watch afterAmerican Fiction (2023), Anatomy of a Fall (2023),
Barbie (2023) Killers of the Flower Moon (2023),
Oppenheimer (2023) Poor Things (2023), Society of the Snow (2023), The Killer (2023), The Marvels (2023),
StarringGillian Vigman,
StudioMiramax,
After stumbling with Downsizing, Alexander Payne bounces back with a gentle & witty comedy-drama.
The artist Dmitry Samarov one said to me that the ratio of good to bad late periods in an artist's life was depressing to consider. For every Sir Edward William Elgar there was an Eric Clapton (my example, not his), and that it was rare to see someone sharpen as they aged. Now, I like Dmitry and certainly respect his opinion, but I can’t help but feel that when film overtook painting as the dominant artwork that people engage with, the ratio shifted towards bizarre experimentation and welcome self-reflection as much as dull self reflection.
Take for instance 62 year old Alexander Payne, who, after the biggest disaster of his career (2017’s confused parable Downsizing), has started his fourth decade as a director by leaning hard back into what he knew (and what the royal “we” enjoyed) and rediscovered himself with The Holdovers, a movie no one can seem to stop comparing to Hal Ashby. No mean feat, of course, but even that sells its virtues short. This is no mere homage, no mere return to form, this is the movie that Payne’s been hoping to make since his 90s heyday, a film that earns both its jaundiced gaze and its catharsis. Continue Reading →
Sayen: La cazadora
At the risk of making a "getting a lot of Sorcerer vibes from this" guy out of myself, The Hunted—William Friedkin's 2003 old-master-hunts-rogue-student thriller really does make for a fascinating counterpart to his earlier men-on-a-desperate-mission masterwork. Both delve into the lives of damaged, forlorn, isolated men on perilous quests for deliverance. And both of those quests lead deep into madness. Both pointedly contrast man-made, flame-choked hellscapes (Sorcerer's exploding oil well, The Hunted's secret mission amidst the Kosovo War) with the vast, amoral green of the deep forest (Columbia and Oregon, respectively). Both turn on setpieces that thrill while maintaining a grounded (if not necessarily "realistic") feel and weave surreality in with care. Continue Reading →