3 Best TV Shows Similar to Jack & Jill
The Morning Show
Aaron Sorkin learned the hard way that no one takes TV as seriously as TV people. When he followed up his critically acclaimed The West Wing, a show about the inner workings of the White House, with Studio 60 on the Sunset Strip he discovered that you can’t treat everything with the gravity of a cabinet meeting and the wit of a theater major who gets straight Bs. His backstage drama about a fake sketch show pleased no one. When he tried to course correct with The Newsroom he tried to portray the American news media out to be brave warriors for the cause of truth. Both shows have lived rich second lives as meme generators about what Andrew Sarris would call "strained seriousness." Continue Reading →
Full Circle
Seeing creators pull together disparate threads into a cohesive whole can often feel like a magic trick. “Oh, that woman on the train platform was the same one waiting outside the bodega. I get it!” and all that. For the attentive viewer, it can feel like an affirmation of one’s thoughtful focus. For the more casual audience members, it can impress and beguile. Push it too far, though, and one might feel less rewarded and more led by the nose. Full Circle dances on that line before stumbling, too far, into EVERYTHING is connected territory. Thankfully, several strong performances and director Steven Soderbergh’s gift for conveying immediacy through his imagery prove enough to redeem the series’ far too nicely wrapped up with a bow conclusion. Continue Reading →
Hunters
Al Pacino leads a team of Nazi hunters in a brassy Amazon series stuffed with Holocaust pathos and comic-book sleaze. (Editor's note: this review is based on the first five episodes of the show, which is what was provided to critics prior to the show's premiere.) Amazon’s Hunters is a lot. That’s not bad, by any means, but it is a heads up. It’s funny and heartbreaking and stressful, a love letter to exploitation films, comic books, and revenge fantasies, and it is a lot. It’s also very much something that people need to see right now. Created and written by David Weil and produced by Jordan Peele, Hunters was inspired by his grandmother’s stories about World War II and the Holocaust, stories that Weil saw as a battle between good and evil (much like the comics that the show references and draws visual inspiration from). Nothing is as simple as good versus evil, of course, but Hunters does an excellent job of addressing the battles head-on. Set in 1977, the show revels in its primary NYC setting, full of grit and cigarettes and flickering subway car lights, and the visits to other locales are given equal ‘70s glory by production designer Curt Beech and set decorator Cathy T. Marshall, with loud wallpaper and lights shaped like grapes and so much carpeting. The most real and lived-in location is the modest house where 19-year old Jonah Heidelbaum (Logan Lerman) lives with his grandmother Ruth (Jeannie Berlin). After Ruth is murdered and the police handwave her death as a burglary, Jonah is approached by Meyer Offerman (Al Pacino), who knew Ruth from their time in a concentration camp and who, Jonah comes to learn, is the financier and now leader (in Ruth’s absence) of a group of Nazi hunters. While the Hunters are working from a list of Nazis who were active during the war and are now living in the United States, it becomes clear that there is a wider network at play and larger stakes than even the Hunters had suspected. Continue Reading →