1348 Best Film & TV Releases Translated Into Russian (Page 18)

Just as no one ever claims that Millard Fillmore was our greatest President, or that Atlantic City is superior to Las Vegas, you’re not likely to ever encounter anyone who names Children of the Corn as the best horror franchise. Yet, an astonishing 11 movies, most of them barely connected to the 20 page Stephen King short story of the same name, have been released (the majority direct to video or streaming), each one cheaper and duller than the last. As opposed to Halloween or Friday the 13th, it can’t even be said that the original is good. At best, it has its moments, thanks entirely to teen antagonists Isaac and Malachi, who at least give it some creepy juice. Even then, Isaac returning in the sixth movie (creatively titled Isaac’s Return) couldn’t save this series from being dead in the water from nearly the beginning. Continue Reading →

The John Wick films are, simply put, the standard-bearer for American action in the 21st century. When the first came out in 2014, it shook the foundations of what we felt was possible in a Hollywood action landscape predominantly concerned with CGI energy blasts: It put stuntwork front and center, crafted labyrinthine mythology as dense and unnecessary as it was innately compelling in its flavor, and -- most importantly -- brought Keanu Reeves back to the public consciousness in a big way. Basically, it's some of the few times American action movies can even hope to compete with what comes out of Eastern Europe and Asia. And now, that saga comes to a close with John Wick: Chapter 4, a film that took two years after completion to come out, and feels like a final exhale of relief after hours of unrelenting, inventive action. Continue Reading →

The Grand Jury Prize winner gives audiences two different flavors of terror. Raging Grace, the feature debut from writer-director Paris Zarcilla just won the Grand Jury Prize at this year’s SXSW. It’s a film that offers viewers two horror narratives for the price of one. The first is a standard sort involving a creepy mansion, shocking family secrets, and other traditional genre tropes. The second, on the other hand, replaces the overtly spooky elements with more realistic, if no less tense and disturbing, story points.  In that narrative, the audience follows an undocumented worker as she seeks a better life for herself and her child. Instead, she lands in the clutches of real-life monsters determined to exploit others’ desperation for their own twisted gains. Raging Grace handles both approaches effectively. Ultimately, the latter track stings the hardest and will linger longest in the minds of viewers.  Continue Reading →

Every episode of Amazon’s Swarm begins with a title card that reads, “This is not a work of fiction. Any similarity to actual persons, living or dead, or actual events, is intentional.”   Continue Reading →

If only there were a word I could scream that would turn me into a superhero. I wouldn’t fight crime or fly in the heavens above. Instead, I would run really fast until time went backward. Then I would sprint into the DC Film offices circa 2020 and yell, “Please do not make Shazam! Fury of the Gods. Nobody needs this!” Alas, I have no such power. So, here we are.  Continue Reading →

There’s a subset of “Will they or won’t they?” stories that are perhaps best described as “They will, then they won’t, then they will again, then they won’t again, and so on.” There are certainly fans of this kind of story. Arguably the most popular sitcom of the past 40 years, Friends, had Ross and Rachel bouncing together and apart repeatedly. Hulu’s new musical series Up Here is the latest example of that rom-com subset of a subset. Continue Reading →

It’s a year ending with a number, so, once again, someone’s launching a live-action TV show rooted in Batman’s mythology but doesn’t star Batman. That show, following in the footsteps of Gotham and Pennyworth: The Origins of Batman’s Butler, is none other than Gotham Knights. A brand-new CW production, it aims to be a “next generation” tale of sorts. The audience follows a motley group of teens possessed of assorted connections to Batman characters, old and new. By the time the first episodes wrap, viewers will undoubtedly want to shine a signal into the sky to summon a better TV show.  Continue Reading →

Considering the lurid details of it (let alone that it was never solved), it’s curious that Netflix, America’s number one source for grisly true crime documentaries, has yet to cover the Boston Strangler. It’s a fascinating story largely because the man who was long believed to be the Strangler, Albert DeSalvo, almost certainly didn’t act alone, and may not have even killed all of the thirteen women whose deaths were originally attributed to him. DNA evidence years after the fact conclusively linked DeSalvo, convicted of rape and later murdered in prison, to just one victim. At the time of his arrest, both police and the media were so eager to bring the city-wide hysteria to an end that they pointed at him for all the murders, only quietly conceding after DeSalvo was in jail that there was likely more than one strangler, and that the case was still open. Nearly sixty years later, the other twelve murders remain unsolved. Continue Reading →

For a movie about the power of faith, hope, and belief, The Magician’s Elephant is markedly unsure of itself. Based on the 2009 children’s book, Wendy Rogers’ feature debut creates a visually stunning fantasy world that ends up feeling completely hollow. A modern fairytale, it follows young boy Peter’s journey to find his long-lost sister after a traveling fortune-teller informs him that she’s alive and all he needs to do to be reunited with her is “follow the elephant.” As luck would have it, a magician’s act gone awry has dropped an elephant in the center of town and the king declares that Peter can have it if he performs three impossible tasks. Continue Reading →

If nothing else, 65 proves that Adam Driver plays a marvelous survival hero. After his ship crash-lands on an uncharted world, his Mills is dazed and wounded—but not to the point that he does not remember what to do in an emergency. He's got a checklist memorized, and he can follow it until he's back together. As Mills treats his wound, catalogs the damage to his ship, and ultimately dons an environment suit to survey his crash site, Driver's body language shifts. Wooziness gives way to groundedness, and halting movements become smooth. Driver makes it clear that even when despairing and terrified, Mills knows what he's doing. Continue Reading →

Director Alberto Vazquez has said his latest work of animated annihilation, Unicorn Wars, is inspired by three tentpole texts: Apocalypse Now, Bambi, and the Bible. We rarely see a film that’s such a clear summation of its sources. Vazquez has taken these familiar stories and ran them through an organ grinder made of rainbow-colored steel. Continue Reading →

The Scream franchise's strength has always been in its self-awareness. Initially, it turned the camera towards the audience, demanding that they ask themselves why it's so entertaining to see other people being made to suffer, and what happens if, as the tagline went, someone took their love of scary movies too far. Then it mocked the inevitability of sequels, then the movie industry in general, then how the media treats trauma victims like celebrities, with varying levels of success. The 2022 reboot, directed by Matt Bettinelli-Olpin and Tyler Gillett, sought to address all of it in some fashion, with toxic fandom on top of that. It was mostly successful, despite being at times aggressively meta. Scream VI does much of the same, although this time the knowing winks and nods are starting to feel a little tired. Continue Reading →

Much of the pre-release buzz about AppleTV+’s new original series Extrapolations was concerned with its potential to be preachy. In much the same way this writer doesn’t mind a bit of emotional manipulation in entertainment, I can be fine with preachiness. Some things are worth preaching about. Extrapolations’ flaw isn’t that it has a soapbox and is using it. It’s that it’s such a mess. Continue Reading →

Considering the number of statues, attention, and fans the series has collected over two seasons, it may feel odd to call Ted Lasso Season 3 a chance at a comeback. However, given the backlash that seemed to accumulate during the back half of the second season, it isn’t entirely off the mark. Viewers and critics (not this one, make of that what you will) expressed frustration with the show’s messier tone and longer episodes. Additionally, even as the show pierced it, people’s appetite for Ted’s (Jason Sudeikis) positivity had rapidly grown thin in some quarters. Continue Reading →

You Season 4 Part 1 depicted its antihero protagonist, Joe Goldberg (Penn Badgley), at his most straightforwardly heroic. He was teaching classes, avoiding romance, and trying not to commit any more murders. At least, that’s what Joe told himself and the audience in his omnipresent narration. It was a notable and perplexing turn for a character who viewers first met stalking, kidnapping, and murdering the object of his demented affections.  Continue Reading →

Idris Elba has been playing DCI John Luther for over a decade. A mixture of James Bond and Sherlock Holmes, he’s a violent, angry, dedicated detective, doing whatever necessary to catch the grisliest criminals. Finally, after six seasons, Luther finds himself in a feature film, Luther: The Fallen Sun, with many of the trappings of his British series. A horrific serial killer is on the loose. The anti-hero detective must stop him, but there’s a major obstacle in his way. Specifically, he’s staring out at the world through the bars of a jail cell. Continue Reading →

Round three of twelve. Adonis Creed (Michael B. Jordan)—the fresh-out-of-retirement undisputed heavyweight champion of the world—faces Damian "Diamond Dame" Anderson (Jonathan Majors)—the ruthless-came-from-eighteen-years-in-prison reigning champ. Growing up in a group home, Adonis and Damian were brothers—united by care for one another in a callous system and a shared love of the sweet science. Continue Reading →

The story of Daisy Jones & The Six begins, fittingly, at its dramatic end. The show opens with the members of the titular band taking their seats for a series of talking-head interviews before a title card that reads, “On October 4, 1977, Daisy Jones and the Six performed to a sold-out crowd at Soldier Field in Chicago, Illinois.” Despite being one of the biggest bands in the world at that time, “It would be their final performance.” From there, we jump back in time to learn exactly how Daisy and the five members of the Six (yes, five) became a band.   Continue Reading →

Some pray high school will never end. Some feel like it goes on for a painful forever. For Maddie Nears (Peyton List), those desires and hyperbolic thoughts may have become quite literal. If you die on her high school’s campus of unnatural causes, you apparently hang around with the other ghosts until you figure out how to move on. Imagine finding out the afterlife is real and you’ll never leave your high school again in the same moment. Continue Reading →

A few weeks ago, a picture of M. Night Shyamalan and his family at the premiere of his Apple TV show Servant surfaced on my social media timeline. All five of them dressed exquisitely, Shyamalan with his goofy dad smile, his Ph.D. wife Bhavna looking glamorous, and their three adult daughters, bright with talent, love, and creative potential.  Continue Reading →