43 Best Film & TV Releases Translated Into Latvian

The crime drama returns to the Land of 10,000 Lakes and rediscovers its best storytelling self. Throughout the six episodes of Fargo Season 5 screened for critics, the series isn’t exactly subtle. From opening the season with an on-screen graphic defining “Minnesota Nice” as neighbor attacks neighbor during a school board meeting to Sheriff Roy Tillman (Jon Hamm) staring up at a campaign billboard of himself, the show loudly states its theses at the viewer over and over. Continue Reading →

The Trolls movies continue to indulge in their best and worst impulses in a third installment. The poster for this past summer's R-rated comedy No Hard Feelings had a reasonably clever tagline to explain the strained dynamic between the film's two leads. Against an image of Jennifer Lawrence squeezing Andrew Barth Feldman's cheeks, a single word is placed on top of each person's face: "Pretty" and "Awkward." Nothing revolutionary in design, but it gets the job done. Best of all, that tagline also makes for an apt descriptor for Trolls Band Together. Continue Reading →

Long overshadowed by Sideways, we’re giving this understated dramedy its due for depicting Midwest with the specificity Hollywood rarely gives it. Alexander Payne’s Nebraska is as unassuming as the regular Midwestern folk it depicts. Even though this small, quiet, black-and-white comedy was flooded with nominations during the 2013 awards season it won almost none of them. Ten years on, it remains overshadowed by Payne’s more popular works like Sideways and Election. But this odd little dramedy is not only one of Payne’s finest films to date, it’s also his one true love letter to his home state of Nebraska and the Midwest itself. Continue Reading →

Most films don’t come with homework. The same cannot be said of the Marvel Cinematic Universe’s new movie, The Marvels. Unless you’re a devoted MCU fan with an encyclopedic knowledge of both the movies and the Disney+ TV originals, it’s difficult to understand the mechanics of this disastrously convoluted entry in the floundering franchise. It feels like being dropped headfirst into a crossover episode based on three shows you’ve never seen -- mostly because it is. The Marvels kicks off with a bit of genuine visual interest (that never appears again) in the form of hand-drawn comics created by teenage superhero-slash-Captain Marvel fangirl Kamala Khan (Iman Vellani), aka Ms. Marvel. Vellani, who previously appeared as Kamala on the little-seen Disney+ series Ms. Marvel, is a spunky, hilarious teenage heroine whose impressive comedic timing buoys the leaden, disjointed script. She so thoroughly steals the show that it’s disappointing this movie wasn’t just about her; instead, it's a confused mix of storylines involving Kamala, Captain Marvel (Brie Larson), and astronaut Monica Rambeau (Teyonah Parris, Candyman). It feels like the powers that be made a huge mistake in consigning her story to a poorly publicized streaming original, instead of letting her headline a film on her own. Continue Reading →

I love detective stories. Tales of how, as Sara Gran would say, "truth lives in the ether." Explorations of people and places and how they shape each other. The journey down the streets towards a hidden truth. Dennis Lehane's Darkness, Take My Hand, is my favorite book. Rian Johnson's Brick and Ben Affleck's Gone Baby Gone are movies I think the world of, never mind all-timers like Howard Hawks' The Big Sleep and Robert Altman's The Long Goodbye. And, of course, the immortal Who Framed Roger Rabbit? from Robert Zemeckis. Any time there's a new detective film, whether it be an affably bleak comedy or an action-driven character study, it's a treat. Continue Reading →

I have never played Five Nights at Freddy’s. I need to make that abundantly clear before proceeding with this review. Continue Reading →

Having earned just about every accolade there is and long cemented his position as one of the all-time great filmmakers, Martin Scorsese has nothing left to prove. Yet, on the cusp of 81–an age when most directors are either retiring to the Lifetime Achievement Award circuit or making films that are largely variations of their past glories–he is still out there challenging himself and audiences with bold and audacious projects. Continue Reading →

It’s always the surprise hit quirky shows with the most to live up to in their second season. A bad sophomore outing, especially after quickly gaining a cult following, could make or break, say, the plucky little pirate romance known as Our Flag Means Death Season 2. Luckily, David Jenkins, Taika Waititi, et al. keep things fresh and fun without reinventing (or stealing) the wheel.  Continue Reading →

An often-overlooked decade for horror gets the spotlight, & we’ll tell you what to watch & what to skip. This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the work being covered here wouldn't exist. Continue Reading →

Thinking about getting into the Saw franchise 10 movies in? Here’s what you need to know. This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the work being covered here wouldn't exist. Continue Reading →

Even before the internet, certain movies had reputations they didn’t quite live up to. Some, like Salo or 120 Days of Sodom, earn their mythical status as movies designed to make your skin crawl and your stomach clench. Others, like the Faces of Death series, while unpleasant to watch, were just empty, acting as a controversy delivery devices and nothing more. Others still, like William Friedkin’s Rampage, never courted outrage. But unlike those others, whatever reputation it earned before the public got a chance to see it didn’t much help. As a result, at least partially, it remains one of the more obscure releases in Friedkin’s filmography.   Continue Reading →

There’s a moment in Sex Education Season 4’s first episode where a dark thought crosses one mind. “Wait…was this always JUST a sitcom?” Continue Reading →

John Carney's new drama is just one of a diverse collection of features at this year's Toronto International Film Festival. This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the works being covered here wouldn't exist. Continue Reading →

A trio of quirky films offer unique stories, but Pawo Choyning Dorji's gentle comedy is the true standout. This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the works being covered here wouldn't exist. Continue Reading →

The rerelease of Talking Heads' iconic concert film is a delight for even casual fans. This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the works being covered here wouldn't exist. Continue Reading →

In 1983, a group of crooks broke into a vault at the Heathrow International Trading Estate in London, patrolled by Brink’s Mat security conglomeration. The Brinks company was already famous for a famous robbery, one that was carried out in the '50s in the North End in Boston, an incident that turned into a charmingly strange movie by William Friedkin in 1978. Continue Reading →

The Inventor is an odd little film. It is a mess throughout, and there are many instances where I got the sense that writer/co-director Jim Capbianco did not know what kind of story he was trying to tell or who his audience was. And yet it possesses an undeniable charm, one that sticks with you.   Continue Reading →

Ever since James Cameron boldly wrote “S” after ALIEN on a chalkboard and then changed it to a dollar sign, the quickest way to sequel-ize your killer extraterrestrial/reptile/mammal/whatever has been to add more of it. You scored a hit with people fighting one giant mosquito? Great, here’s a sequel with six of them. Continue Reading →

There's more than one transition going on in Park Chan-wook's 2013 thriller Stoker. Yes, the film tells the story of how the seemingly carefree India (Mia Wasikowska) goes from worshipping her father to worshipping her uncle Charlie (Matthew Goode). But the Hitchcockian thriller -- and it is one, beyond the shadow of a doubt -- was also Director Park’s first English-language title. Continue Reading →

“Last night I dreamed I went to Manderley again…” So begins Daphne du Maurier’s gothic masterwork Rebecca, one of the most famous opening lines in fiction. Rebecca proved a hit upon release in 1938 and has remained in print ever since. Alfred Hitchcock’s adaptation, coming just two years later, netted him his first Best Director nomination. That interpretation of the text has come to be considered a classic, and with good reason. Its misty black-and-white photography and mysteries hypnotize.  Continue Reading →

Though their core plots aren’t similar, all three movies in Edgar Wright’s Cornetto Trilogy share the common thread of emotionally immature men clinging to the relics of their youth, often to the detriment of their friendships and romantic lives. Specifically men of Generation X, who tend to glorify their younger days, and the pop culture associated with it, at a level that borders on delusional (and as a Gen X woman I can tell you we’re not much better about it). Continue Reading →