Steven Soderbergh goes further back to his indie roots with a boatful of talent, loose style, and delightful improv.
Sam Mendes’ WWI epic is an astounding technical achievement, but loses its soul on the way to razzle-dazzle.
Gillian Armstrong’s 1994 adaptation of the Louisa May Alcott novel is a perfect balm for the holidays.
Sam Mendes’ Best Picture winner is a flawed but evocative time capsule of ’90s middle-age anxiety.
Recounting the tale of the men who hunted down Bonnie and Clyde, The Highwaymen is far too trite and hokey for its own good.