Mike Flanagan’s latest is equal parts Stephen King adaptation and Stanley Kubrick sequel, and can’t quite bridge the gap.
sequel
Judgment Day creeps up on us once again as old and new characters join forces to fight the future.
Among the Mouse House’s stable of live-action remakes, this sequel to the 2014 prequel goes down a lot smoother than its contemporaries.
Johannes Roberts’ sequel to 2017’s stripped-down aquatic thriller is packed to the gills with sharktastic mayhem.
It may be prefaced by a brilliant, heartfelt short, but Sony Pictures Animation’s latest, like its adaptation, is a huge waste of time.
Netflix brings back the classic Nick cartoon twenty years later for a one-off special filled with heart and surprisingly complicated musings on the passage of time.
Watching the Kill Bill saga in reverse order yields some fascinating rewards.
Last weekend saw poor performance for the latest Conjuring flick, in a summer of diminishing returns for franchise sequels.
This weekend’s box office bode ill for Pixar’s Toy Story 4, which performed under expectations, and Child’s Play kicks off a modest opener.
While still a visual triumph, “The Matrix Reloaded” swaps out depth for shallow philosophy.
Sam Jackson returns with two more generations of Shafts in a slick actioner let down by milquetoast jabs at millennials.
While it maintains the same dazzling, frenetic charm of the original LEGO Movie, The Second Part doesn’t manage to recapture the miracle of the first.
Diane Franklin and Paul Ben-Victor play the doomed DeFeos in yet another Amityville remake that’s content to run (and scare) in place.
Like a hammer through a window, Glass shatters whatever goodwill M. Night Shyamalan had once recovered.
The Wachowskis’ seminal sci-fi trilogy hits 4K today ahead of the first Matrix’s 20th anniversary. In honor of […]
Shane Black returns to the macho 90s alien-hunter franchise he helped spawn, but his irreverent stamp (including a […]
