The clever satire of pop culture consumerism is still as fresh and relevant as ever.
Boba Fett returns, the Child is kidnapped, and Robert Rodriguez throws us into the action-packed midpoint of the season.
We meet an honest-to-god Jedi, and Baby Yoda finally gets a name, in an episode that links The Mandalorian even further to the rest of the Star Wars universe.
Cheap, creaky jokes and overstimulated filmmaking plague a too-late sequel no one asked for.
Quentin Tarantino’s half of the nostalgia throwback Grindhouse is as problematic as it is strangely empowering.