Spike Lee’s third film is a caustic, exuberant exploration of the politics of race in the ’80s, from colorism to the effectiveness of activism.
For the month of March, we look back at the vibrant, confrontational, incisive work of one of American filmmaking’s most iconic figures.
After 28 years, two sequels, and now with a reboot coming this June, Bernard Rose’s look at racial and economic disparity lingers the most in how it skewers the myth of the white savior.
Six episodes in, the show does its deepest, most formally daring look at historical prejudice, policing and American mythology.
This piece was originally posted on Alcohollywood If you want festivals full of soulful contemplation of the human […]