O Categories Features Filmmaker of the Month Movies July 23, 2019 Once Upon a Time In Hollywood Review: Tarantino’s Lullaby For ’60s Tinseltown Quentin Tarantino's ninth film is a sun-soaked return to his roots, an energetic elegy for Old Hollywood that plays fast and loose with its history.
T Categories Features Filmmaker of the Month Movies July 16, 2019 The Tarantino-Heavy “Four Rooms” Needs a ‘Do Not Disturb’ Sign Even with segments by 90s indie luminaries like Robert Rodriguez, Allison Anders and Quentin Tarantino, Four Rooms is too herky-jerk to work.
T Categories Features Filmmaker of the Month July 13, 2019 The Unsubtle Social Satire of “Natural Born Killers” An early Quentin Tarantino screenplay is turned into an over the top look at America's obsession with crime & criminals.
& Categories Features Filmmaker of the Month Movies July 11, 2019 “From Dusk Till Dawn” and Tarantino the Actor Robert Rodriguez and Quentin Tarantino's grindhouse vampire thriller is a fascinating but flawed glimpse into their collaboration.
W Categories Features Filmmaker of the Month Movies July 10, 2019 With “Pulp Fiction,” Tarantino Resisted the Mundane Quentin Tarantino's classic 1994 new-cool drama set the stage for a new era of independent film, and saw the end of his own sense of mercy.
T Categories Features Filmmaker of the Month Movies July 9, 2019 Tarantino’s Worst Excesses Come Out In Tony Scott’s “True Romance” One of the few Tarantino scripts not directed by the man himself, Tony Scott's "True Romance" is a tragically too-cool crime thriller that doesn't age well.
& Categories Features Filmmaker of the Month Movies July 7, 2019 “Reservoir Dogs” is Quentin Tarantino’s Bloody Rosetta Stone Quentin Tarantino's breakout debut feature is a bloody distillation of his best and worst instincts.
J Categories Features Filmmaker of the Month Movies July 2, 2019 July’s Filmmaker of the Month: Quentin Tarantino With his ninth film coming out this month, we look back on the indie titan and his deeply metatextual approach to cinema.
