Sam Mendes’ Depresson-era gangster fable is as effective as it is in-your-face with its aesthetics.
paul newman
It’s Newman and Cruise’s picture first, but Scorsese’s work on it is still a pleasure.
Sam Mendes’ Depresson-era gangster fable is as effective as it is in-your-face with its aesthetics.
It’s Newman and Cruise’s picture first, but Scorsese’s work on it is still a pleasure.