Viktor Kossakovsky’s deeply anthropological look at the everyday rhythms of farm life bursts with precision and quietly devastating purpose.
Matt Wolf’s documentary about the ill-fated science project is a bizarrely perfect fit for our self-isolating times.
With Pixar having one of their lowest openings yet, the box office experienced one of the worst weekends for this time of year in over a decade.
Everyone’s favorite talking hedgehog burns up a $57 million opening weekend at the box office, while Birds of Prey experiences the typical second-weekend slump.
There is no fate but what we make, and Dark Fate‘s middling box office returns paint a grim […]
Alejandro Landes’ tense, probing portrait of child soldiers keeps its messages as muddy as its setting.
Max Minghella’s directorial debut is a neon-dredged pop curio that features a one-note script that doesn’t exactly serve Elle Fanning’s game lead turn.
Reassembled from previously-thought unusable Sydney Pollack footage, Alan Elliot cobbles together an arresting Aretha Franklin concert film.