Jonathan Demme’s final film is a flawed, fascinating time capsule into Obama-era politics.
Jonathan Demme’s remake of the 1962 classic is as notable for its look at political dehumanization as it is its modernization.
Greta Gerwig’s adaptation of the Louisa May Alcott book is sensitive, challenging, and earnestly engages with the source material.
Steven Soderbergh serves up a messy capitalist critique in the shell of a slick, simplistic essay film.
The cultural phenomenon returns, minus its star director, with a little more Streep in its step.
Disney offers a rousing, delightful update to the children’s film classic.