Joel Schumacher’s second John Grisham adaptation is a myopic look at race and the criminal justice system in the American South.
Matthew McConaughey wasted a performance in Gus Van Sant’s most disappointing film, a self-important look at white male redemption.
Martin Scorsese turned his camera to the grotesque excesses of the ultra-rich in The Wolf of Wall Street.
Childe Roland to The Dark Tower came, and unfortunately, he brought all of us along with him.
Richard Linklater’s 1993 coming-of-age classic is a battle of dueling, complicated nostalgias around ’60s youth culture.
In the wake of Serenity’s balls-out weirdness, we look at how it fits into the oeuvre of “oddball post-Oscar films” for McConaughey and Hathaway.