Watching the first cut of Richard Kelly’s ultra-ambitious Donnie Darko follow-up is like riding a wave of mutilation.
kevin smith
Taylor Morden’s documentary is a charming, quirky look back at the demise of the home video store.
Watching the first cut of Richard Kelly’s ultra-ambitious Donnie Darko follow-up is like riding a wave of mutilation.
Taylor Morden’s documentary is a charming, quirky look back at the demise of the home video store.