Reviews Rogue Agent chills when focusing on James Norton’s multilayered monster and struggles otherwise By: Michael Frank When Gemma Arterton faces off against Norton's chameleonic con man, Rogue Agent compels, but most everything else about it is overly familiar.
Reviews Christian Petzold’s “Undine” is stupendously sensual By: Asher Luberto The great German director's latest romantic drama modernizes a fairy tale to striking, mystical effect.
Reviews “Come True” comes undone with a last-minute revelation By: Jon Negroni IFC Midnight properly knows its audience for this chilling, but uneven exploration of sleep paralysis.
Reviews “The Night” is dark and full of terrors for an Iranian couple in LA By: Beau North Kourosh Ahari's psychological thriller mines anxieties of Iranian-Americans living in the States for bone-chilling effect.
The Day Shall Come Review: Chris Morris Satire Lacks Bite Tone-deaf obviousness and blunt-force capitalist critiques plague Morris' latest, letting down its good intentions with disappointing bluntness.
TV You Must Get Down With “Sherman’s Showcase” IFC's uproarious variety show-within-a-documentary is a groovy slice of '70s ephemera, as smart as it is strange.
Sword of Trust Review: Mumblecore Meets Civil War The South rises again thanks to the effortless comic charms of Lynn Shelton and Marc Maron.
Interviews Director Emma Tammi on the Women of “The Wind” and the Isolation of the Old West The Wind director sits down for a podcast interview to talk about her feature debut's feminist horror deconstruction of the Western.