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Mary Queen of Scots Review: A Riveting, if Ahistorical, Royal Drama

While it won’t win any awards for historical accuracy, Josie Rourke’s royal drama shines thanks to some gorgeous cinematography and the performances of Saiorse Ronan and Margot Robbie. This piece was originally posted on Alcohollywood Whenever someone watches a Hollywood movie that focuses on a historical figure, they must ask themselves, “how important is accuracy?” ... Mary Queen of Scots Review: A Riveting, if Ahistorical, Royal Drama

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The Spool is an irreverent, informative source for film and television coverage, focused on diverse, thoughtful opinions that seek out a greater understanding of the media we love.

The Favourite Review: Yorgos Lanthimos Holds Uproarious Royal Court

Yorgos Lanthimos’ latest is a droll, hilarious dramedy about the challenges of female power and competition, with three amazing performances from Olivia Colman, Emma Stone, and Rachel Weisz. This piece was originally posted on Alcohollywood When it comes to acid-tongued, deadpan humor, few do it better than Greek director Yorgos Lanthimos. While works like the ... The Favourite Review: Yorgos Lanthimos Holds Uproarious Royal Court

Bohemian Rhapsody Review: Malek’s Mercury Will Rock You, Its Queer Politics Less So

While Bryan Singer’s biopic takes some uncomfortable liberties with Freddie Mercury’s life, Malek’s eye-catching performance elevates the proceedings into a rocking ride. This piece was originally posted on Alcohollywood In a pivotal scene in Bohemian Rhapsody, Freddie Mercury (Rami Malek) tells his manager and future lover, Paul (Allen Leech) that he doesn’t know who he ... Bohemian Rhapsody Review: Malek’s Mercury Will Rock You, Its Queer Politics Less So

Can You Ever Forgive Me? Review: Melissa McCarthy Compels in Awards-Hungry Journalism Drama

While it’s patently hungry for awards, Melissa McCarthy’s biopic of infamous letter forger Lee Israel is compelling and darkly accessible, with some great supporting turns from Richard E Grant and Jane Curtin. This piece was originally posted on Alcohollywood Oscar baiting: we know it when we see it, and Can You Ever Forgive Me? is ... Can You Ever Forgive Me? Review: Melissa McCarthy Compels in Awards-Hungry Journalism Drama

The Sisters Brothers Review: Joaquin Phoenix and John C. Reilly Upend the Western

Joaquin Phoenix and John C. Reilly are a pair of offbeat gunslingers in Jacques Audiard’s unconventional, gorgeously energetic Western. This piece was originally posted on Alcohollywood The American Western has been told in every conceivable fashion, but they often feature the same sort of lead – a man who, when faced with great adversity, buries ... The Sisters Brothers Review: Joaquin Phoenix and John C. Reilly Upend the Western

The House with a Clock in its Walls Review: Eli Roth Tries (and Succeeds) at Spooky Kid’s Fare

Fresh off a string of failed horror flicks, Eli Roth bounces back with an unexpectedly fun, faithful adaptation of John Bellairs’ classic kid’s adventure books. This piece was originally posted on Alcohollywood The prospect of grindhouse provocateur Eli Roth directing a four-quadrant kid’s flick is a dicey, but fascinating one – yet here we are ... The House with a Clock in its Walls Review: Eli Roth Tries (and Succeeds) at Spooky Kid’s Fare

Film Review: Oscar Isaac Hunts Nazis in Compelling, if Spotty, Operation Finale

Despite two incredible lead performances from Oscar Isaac and Ben Kingsley, this dramatization of the Mossad extradition of Adolf Eichmann feels a bit too safe. This piece was originally posted on Alcohollywood In 1960, a group of Mossad and Shin Bet agents, let by Peter Malkin, traveled to Argentina on an undercover mission to capture ... Film Review: Oscar Isaac Hunts Nazis in Compelling, if Spotty, Operation Finale

Gauguin: Voyage to Tahiti is a Meditative Portrait of Depression and Obsession

Despite a charismatic performance by Vincent Cassel, this meditative biopic of the French painter fails to match the vibrancy of the artist’s work. This piece was originally posted on Alcohollywood Often, in biographical films, we are given glimpses of the subject’s genius, while supporting characters wait on deck to expound on the profundity of his ... Gauguin: Voyage to Tahiti is a Meditative Portrait of Depression and Obsession

Fantasia 2018: Hanagatami Review – The Director of Hausu Confuses and Delights in His Final Epic

Hausu’s Nobuhiko Obayashi starts wrapping up his 60-year career in filmmaking with a deeply weird, compellingly stream-of-consciousness wartime drama. This piece was originally posted on Alcohollywood Nobuhiko Obayashi is one of Japan’s veteran suppliers of the weird and fantastical – despite a career spanning nearly forty films, his most famous international export is 1977’s kaleidoscopic, ... Fantasia 2018: Hanagatami Review – The Director of Hausu Confuses and Delights in His Final Epic

Review: Westwood Provides a Compelling Portrait of the Godmother of Punk

Showcasing her career from punk provocateur to a mainstay of English culture, Westwood is a love letter to one of fashion’s most iconic personalities This piece was originally posted on Alcohollywood Westwood: Punk, Icon, Activist details the creative passions of Vivienne Westwood, the English designer who helped catapult London’s punk aesthetic into the mainstream. While ... Review: Westwood Provides a Compelling Portrait of the Godmother of Punk

INTERVIEW: Bruce LaBruce on The Misandrists, Pornography and Feminist Brain-Swapping

We interview queersploitation provacateur Bruce LaBruce about queer cinema, working on a low budget, and his latest feminist satire The Misandrists. This piece was originally posted on Alcohollywood Arthouse queer enfant terrible Bruce LaBruce has crafted an interesting career as an underground director of gory, sexy, splatter-ific screeds on radical topics like terrorism, feminism, and gay ... INTERVIEW: Bruce LaBruce on The Misandrists, Pornography and Feminist Brain-Swapping