Mira Nair’s most American film may well be her most impersonal.
After digressing from the horror genre, Sam Raimi’s 2000 effort marked an affecting supernatural tale with solid performances.
A treacly Lost pastiche about astronauts and the lives left behind on an interstellar mission gives way to surprisingly humanistic highs.
BoJack finally stops running from his demons in an uneven but mostly satisfying conclusion to TV’s best show about depression & addiction.
This slow-burn dystopian sci-fi thriller questions the motives & limits of maternal love.
The first-time filmmaker and the veteran actor sit down to talk about Chomko’s experiences with Alzheimer’s in her […]
This piece was originally posted on Alcohollywood The Chicago International Film Festival keeps chugging along this week, and […]