While it captures some of the melancholy of the acclaimed novel, John Crowley’s adaptation is too leaden and self-serious to really soar.
finn wolfhard
The second half of Andy Muschietti’s Stephen King adaptation sinks under its mishmash of tones.
Netflix’s acclaimed horror-nostalgia series returns for a third season of high-stakes blockbuster television.
While trying to chase both sentimentality and laughs, Ken Marino’s ensemble canine comedy ends up barking up the […]
