A new exhibition at the Art Institute of Chicago highlights the transgressive days of dial-up camp.
Pedro Almodóvar graces us with a shaggy but rewarding portrait of a middle-aged director wrestling with his demons, with an arresting turn by Banderas.
In honor of Where’d You Go, Bernadette?, we take a closer look at the prolific indie pioneer.
Abel Ferrara eulogizes fellow scandalizer Pier Paolo Pasolini in a suitably grimy tone poem featuring Willem Dafoe.
Over his decades-long career, the Italian neorealist crafted films filled with truth, empathy, and kindness.
Jill Magid’s documentary delves into messy conversations about the link between art and legacy, becoming a short but […]