Sorry to Bother You Review: Boots Riley Takes On Consumerism, Race in Scorchingly Funny Debut
Boots Riley’s wild feature film debut throws racial politics, consumerism, and magical realism in a blender, making for a comedy that’s as unpredictable as it..
INTERVIEW: Bruce LaBruce on The Misandrists, Pornography and Feminist Brain-Swapping
We interview queersploitation provacateur Bruce LaBruce about queer cinema, working on a low budget, and his latest feminist satire The Misandrists. This piece was originally..
The Misandrists Review: Bawdy, Transgressive Satire from Bruce LaBruce
Bruce LaBruce’s reputation as a bad-taste provocateur gleefully continues with this campy exercise in sex, sleaze, and political satire. This piece was originally published on..
Ocean’s 8 Review: Female-Forward Heist Antics Don’t Cover A Lack of Depth
Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to do, despite the cast’s pedigree. This piece..
Fags in the Fast Lane Review: A Madcap Race to Campy Bad Taste
This over-the-top throwback to exploitation and queer films from the 60s and 70s revels in its tastelessness, delivering an edgy yet affectionate ode to its..
A Preview of the 2018 Chicago Critics Film Festival
The Chicago Film Critics Association’s 6th annual film festival (May 4-10) features some of the year’s best films that might otherwise fly under your radar...
Candy Jar Review: Human Connection Is The Forbidden Fruit
Netflix’s latest coming-of-age indie comedy mixes a charming cast with an impassioned debate over adolescent ambitions and how to learn from failure. This piece was..
Begin typing your search above and press return to search. Press Esc to cancel.