The last Philip Seymour Hoffman to premiere before his passing, God’s Pocket is a needless farce from Mad Men’s John Slattery.
Good Girls digs deeper into the grind of a life of crime but loses a bit of its spark in the process.
The third season of the NBC comedy-drama struggles to find a tone, but excels in depicting the every day issues of the working class.
Jake Scott’s dreamlike ode to several generations of women in an American family is let down by an overly meandering script.
Pixar’s fourth trip into the toybox opens up fascinating existential questions while maintaining its delightful core of childlike whimsy.
The second season of NBC’s Breaking Bad-with-moms show disappointingly treads water, keeping its three leads running in place while feigning change.
Netflix’s latest coming-of-age indie comedy mixes a charming cast with an impassioned debate over adolescent ambitions and how […]